There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
4
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
10
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
18
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
19
William Birch, 1755–1834
The Nabob of Surat as painted in 1778
1778
20
Valentine Green, 1739–1813
Henry Grattan
1782
21
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
22
Print made by James S. Storer, 1771–1853
Birmingham
1795
23
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
24
John Dixon, ca. 1740–1811
Henry, tenth Earl of Pembroke and seventh Earl of Montgomery
1769
25
Print made by James Walker, 1748–1808
Bridgenorth
1795
26
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
27
Print made by Thomas Chambars, ca. 1724–1789
Henry Cornelius Vroom
undated
28
Print made by Thomas Chambars, ca. 1724–1789
Robert Walker
undated
29
Print made by Francesco Bartolozzi, 1728–1815
William Woollet
1795
30
John Faber the Younger, ca. 1695–1756
Joanni Wootton
1730
31
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
32
Print made by Alexander Bannerman, ca. 1730–1780
Frederick Zucchero
undated
33
Alexander Bannerman, ca. 1730–1780
Gerard Zoust, Edema and Grifiere
undated
34
Print made by John Blackmore, active 1740–1780
Samuel Foote Esq
1771
35
Edward Fisher, 1722–1785
His Royal Highness William Augustus, Duke of Cumberland
ca. 1760
36
Print made by James Walker, 1748–1808
Rochester
1794
37
John Faber the Younger, ca. 1695–1756
Georgius Lambert
1727
38
James Hardy, active 1770s
Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
undated
39
Print made by Callender, active mid–18th century
Voluntier
1745
40
Print made by Callender, active mid–18th century
Study of a Man with a Cutlass
between 1745 and 1748
41
Charles Grignion, 1717–1810
A Macarony at a Sale of Pictures
1771
42
Print made by James Caldwall, 1739–1819
A Ladies Maid Purchasing a Leek
1772
43
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
44
Print made by James Bretherton, ca. 1730–1806
The Full Blown Macaroni
1772
45
Print made by James Bretherton, ca. 1730–1806
The Fish-Street Macaroni
1772
46
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
47
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
48
Print made by James Bretherton, ca. 1730–1806
A Modern Spread Eagle
1782
49
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
50
Print made by James Bretherton, ca. 1730–1806
The St. James's Macaroni
1772
51
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
52
Print made by James Bretherton, ca. 1730–1806
The Houndsditch Macaroni
1772
53
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
54
Print made by Henry William Bunbury, 1750–1811
The Judgement of Paris
1771
55
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
56
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
57
Print made by John Chalon, 1738 – 1795
Study
1789-1790
58
James McArdell, ca. 1729–1765
Thomas Secker, Lord Bishop of Oxford
1747
59
John Raphael Smith, 1752–1812
Reverend Jonathan Shipley, Bishop of St. Asaph
1777
60
James McArdell, ca. 1729–1765
Dr. Thomas Sherlock, Lord Bishop of London
1757
61
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
62
Valentine Green, 1739–1813
John Boydell, Engraver
1772
63
John Raphael Smith, 1752–1812
Joseph Deane Bourke, 3rd Earl of Mayo
1784
64
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
65
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
66
John Dixon, ca. 1740–1811
Mr. John Joshua Kirby
between 1765 and 1771
67
John Faber the Younger, ca. 1695–1756
Sir James Thornhill
1732
68
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
69
Print made by Francesco Bartolozzi, 1728–1815
Portrait of Joseph Haydn
1791
70
Joseph Grozer, ca. 1755–1798
William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
1791
71
Print made by James Caldwall, 1739–1819
Omai
1777
72
Print made by Richard Earlom, 1743–1822
Giovanni Battista Cipriani, Esqr. R. A
1789
73
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
74
Print made by Valentine Green, 1739–1813
Benjamin West and His Son Raphael
1775
75
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
76
Print made by Thomas Chambars, ca. 1724–1789
George Vertue, Engraver
undated
77
John Dixon, ca. 1740–1811
The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer
1770
78
Print made by James Walker, 1748–1808
Wakefield
1798
79
Print made by James Walker, 1748–1808
Westminster Bridge
1797
80
Print made by Thomas Tagg, died 1809
The Tower of London
1794
81
Print made by James Walker, 1748–1808
Sheffield
1798
82
Print made by James Basire the younger, 1769–1822
South View of Christ Church, etc., From the Meadows..
1799
83
Alexander Bannerman, ca. 1730–1780
Van Son
1762
84
Print made by Thomas Chambars, ca. 1724–1789
Robert van Voerst
1771
85
Alexander Bannerman, ca. 1730–1780
Verrio
undated
86
Print made by William Hibbart, active 1760–1800
Watteau
undated
87
Johann Elias Haid, 1739–1809
West, Geschichts mahler
1774
88
John Faber the Younger, ca. 1695–1756
Hamlet Winstanley
1731
89
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
90
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
91
Edward Harding, 1755–1840
Robert Williams
1796
92
Alexander Bannerman, ca. 1730–1780
Francis Wouters
undated
93
Alexander Bannerman, ca. 1730–1780
Sir Christopher Wren and Hugh Howard
undated
94
John Faber the Younger, ca. 1695–1756
William, Duke of Devonshire
1755
95
Print made by John Dixon, ca. 1740–1811
William Robertson, D.D
1772
96
Print made by James S. Storer, 1771–1853
Chepstow
1794
97
William Dickinson, 1746–1823
Sir Robert Fletcher
1774
98
John Dixon, ca. 1740–1811
William Robert Fitzgerald, Second Duke of Leinster
1775
99
Print made by James Watson, 1740–1790
Rt. Hon. John Manners, Marquess of Granby, and a Servant
undated
100
Print made by James Bretherton, ca. 1730–1806
Study of a Man with Stick Wearing the Order of the Garter