Collection: Prints and Drawings / Subject Terms: cityscape - YCBA Collections Search Search Results

101. Greenwich

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 inches (10.5 × 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Windsor Castle

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 x 4 1/2 inches (6.4 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Ruins in Rome

Creator:: William Hamilton, 1751–1801
Date:: between 1768 and 1775
Materials & Techniques:: Gray wash, pen and black and brown ink, white gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/16in. (34 x 46.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Margate

Creator:: James Holland, 1799–1870
Date:: 1861
Materials & Techniques:: Watercolor with white gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Tournon Opposite to Teint on the Rhone

Creator:: Mary Harcourt, 1750–1833
Date:: ca. 1780
Materials & Techniques:: Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Calais Harbour

Creator:: Attributed to James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Watercolor and graphite with white gouache on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 6 5/8 × 11 1/2 inches (16.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Naples from the Strada Nouva, Nov.26, 1830

Creator:: James Duffield Harding, 1798–1863
Date:: 1830
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. A Large Church (Westminster Abbey) at Sunset

Creator:: Attributed to Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and graphite on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Cheyne Walk, Old Chelsea

Creator:: Henry Greaves, 1850–1900
Date:: 1861
Materials & Techniques:: Brown wash, gray wash, pen and gray ink, pen and brown ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 25 1/4 inches (50.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. The Old Black Lion, Chelsea

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and gray and brown ink, over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 10 1/2 x 8 3/16in. (26.7 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. A Town Seen From the Banks of a River

Creator:: John Alexander Gresse, 1741–1794
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, graphite on medium, slightly textured, white laid paper on backing sheet
Dimensions:: Sheet: 4 3/8 × 11 1/16 inches (11.1 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Edinburgh

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Beauvais Cathedral

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/16 × 10 9/16 inches (40.8 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

114. View of the Rue de Lamitie

Creator:: Jules Lessore, 1849–1892
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 1/2in. (24.8 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. The Daughters of Jerusalem Weeping by the Waters of Babylon

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. The Mansion House

Creator:: John Maurer, active 1713–1761
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Ponte Lucano, Near Tivoli

Creator:: Thomas Manby, 1633(?)–1695
Date:: between 1660 and 1690
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Design for London Bridge Approach

Creator:: Print made by Sir Robert Smirke the younger, 1781–1867
Date:: between 1827 and 1835
Materials & Techniques:: Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Oruro, Bolivia

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: 1855
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Cerco de Paro, Lima

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: ca. 1855
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 19 1/4 inches (27.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Basilica of the Virgin of Copacabana, Bolivia

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: 1855
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Temple of Vesta, Rome

Creator:: James Holland, 1799–1870
Date:: 1849
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 7/8in. (19.7 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Florence Opposite the Cassines

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 11 3/4 inches (16.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Gate Toward Bursit, Aix-la-Chappelle

Creator:: Charles Gore, 1729–1807
Date:: 1785
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Konigstein

Creator:: Charles Gore, 1729–1807
Date:: 1789
Materials & Techniques:: Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. View of Dürrenstein

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Lisbon from the Convent of St. Francis da Citadel

Creator:: Charles Gore, 1729–1807
Date:: 1774
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 17 1/2 inches (27.3 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Lewes Bridge, Sussex

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. The Seine with Notre Dame

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 3/4 inches (17.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Westminster Abbey from Dean's Yard

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Knaresborough

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Buildings Belonging to Magdalen Hall, Oxford

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Brown ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 19 15/16 x 15 3/8 inches (50.6 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Robin Hood's Bay, Yorkshire

Creator:: Francis Nicholson, 1753–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 10 1/16 inches (16.5 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Lima

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: 1850
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Allahabad, from the Right Bank of the Jumna

Creator:: William Simpson, 1823–1899
Date:: 1865
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 20 1/4 inches (37.1 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Wallingford

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 5 7/8 inches (9.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Guildford

Creator:: Print made by Thomas Rothwell, ca. 1742–1807
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 6 7/8 inches (11.1 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Northampton

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1796
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, published state (late impression) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. View of Exeter College, All Saints Church, from the Turl

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1806
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Margate

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Margate

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Margate

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Margate

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Ramsgate

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Ramsgate

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Rome, A View of the Arch of Constantine with Other Ruins

Creator:: James Barry, 1741–1806
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 16 3/4 inches (15.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Landscape, Trees and a Distant View of Rome

Creator:: William Taverner, 1703–1772
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 9 3/8 inches (31.3 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Plymouth, from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Plymouth, from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Plymouth, with Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Open etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Rome, Bridge and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Whitstable, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Florence, from the Ponte alla Carria

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Rome; Bridge and Castle of St. Angelo on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Open etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Welsh Fair

Creator:: John Preston Neale, 1771/80–1847
Date:: 1813
Materials & Techniques:: Watercolor, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 3/16 inches (15.6 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. View from the Pont Neuf

Creator:: William Henry Lake Price, ca. 1810–ca. 1896
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right

Creator:: Follower of Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured, green-beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 13/16 inches (11.7 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Angry Scene in a Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. The Strand with Astley's Theatre

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 9 1/4 inches (11.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Small Boats in Harbor

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 7 1/2 inches (11.1 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Sidmouth from Offshore

Creator:: Henry Haseler, active 1814–1825
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 12 5/8 inches (17.1 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. The Pont Neuf

Creator:: William Henry Lake Price, ca. 1810–ca. 1896
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; second published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 × 11 7/8 inches (25.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, rough, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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Search Results

101. Greenwich

102. Windsor Castle

103. Ruins in Rome

104. Margate

105. Tournon Opposite to Teint on the Rhone

106. Calais Harbour

107. Naples from the Strada Nouva, Nov.26, 1830

108. A Large Church (Westminster Abbey) at Sunset

109. Cheyne Walk, Old Chelsea

110. The Old Black Lion, Chelsea

111. A Town Seen From the Banks of a River

112. Edinburgh

113. Beauvais Cathedral

114. View of the Rue de Lamitie

115. The Daughters of Jerusalem Weeping by the Waters of Babylon

116. The Mansion House

117. Ponte Lucano, Near Tivoli

118. Tivoli

119. Nîmes from the Tour Magne

120. Design for London Bridge Approach

121. Oruro, Bolivia

122. Cerco de Paro, Lima

123. Basilica of the Virgin of Copacabana, Bolivia

124. The Temple of Vesta, Rome

125. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

126. Florence Opposite the Cassines

127. Gate Toward Bursit, Aix-la-Chappelle

128. Konigstein

129. View of Dürrenstein

130. Lisbon from the Convent of St. Francis da Citadel

131. Lewes Bridge, Sussex

132. The Seine with Notre Dame

133. Westminster Abbey from Dean's Yard

134. Knaresborough

135. Buildings Belonging to Magdalen Hall, Oxford

136. Robin Hood's Bay, Yorkshire

137. Lima

138. Allahabad, from the Right Bank of the Jumna

139. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

140. Wallingford

141. Guildford

142. Northampton

143. A View of Worcester College &c.

144. A View of Worcester College &c.

145. View of Exeter College, All Saints Church, from the Turl

146. Margate

147. Margate

148. St. Mawes, Cornwall

149. Margate

150. Margate

151. Ramsgate

152. Ramsgate

153. Rome, A View of the Arch of Constantine with Other Ruins

154. Landscape, Trees and a Distant View of Rome

155. Plymouth, from Mount Batten

156. Plymouth, from Mount Batten

157. Plymouth, with Mount Batten

158. The Rialto, Venice

159. The Rialto, Venice

160. The Rialto, Venice

161. Rome, Bridge and Castle of St. Angelo, on the Tyber

162. Florence, from the Chiesa al Monte

163. Richmond, Yorkshire

164. Whitstable, Kent

165. The Rialto, Venice

166. The Rialto, Venice

167. Naples, from the Mole

168. Naples, from the Mole

169. Florence, from the Ponte alla Carraia

170. Florence, from the Chiesa al Monte

171. Florence, from the Ponte alla Carria

172. Rome; Bridge and Castle of St. Angelo on the Tyber

173. Turin from the Portico of the Superga Church

174. Richmond, Yorkshire