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Credit Line Yale Center for British Art, Paul Mellon Collection

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Work Type intaglio print

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John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
William Blake Aged Ignorance; Plate 13
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Water; Plate 4
Print made by William Blake, 1757–1827
Water; Plate 4
1793
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
M. J. Starling Belvoir Castle, Rutland
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
Richard Earlom Labourers
Richard Earlom, 1743–1822
Labourers
1790
John Robert Cozens The City of Bath taken from the London Road
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
William Sherwin Barbara Duchess of Cleaveland as a Shepherdess
William Sherwin, 1645–1711
Barbara Duchess of Cleaveland as a Shepherdess
1670
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Richard Earlom Tiger Hunting in the East Indies
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
David Lucas Cottage in a Cornfield
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
Heneage Finch fourth Earl of Aylesford Maxstoke Priory
Heneage Finch fourth Earl of Aylesford, 1751–1812
Maxstoke Priory
undated
François M. la Cave The Foundlings
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
unknown artist A View of Several Palaces at Naples at Sun Rise
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Thomas Gainsborough Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
Henry William Bunbury How to Ride Without a Bridle
Print made by Henry William Bunbury, 1750–1811
How to Ride Without a Bridle
undated
George Cruikshank Traveling in France -or, -Le départ de la diligence
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
John Raphael Smith Madona Col Bambino
John Raphael Smith, 1752–1812
Madona Col Bambino
1791
John Raphael Smith Reverend Richard Robinson, Archibishop of Armagh
John Raphael Smith, 1752–1812
Reverend Richard Robinson, Archibishop of Armagh
1775
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
George Baxter Queen Victoria
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
George Bickham the Younger Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing
1751
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
John Hassell Clapham Manor-House, Surry
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
Richard Bernard Godfrey Knighton, the Seat of George M. Bisset, Esq.
Richard Bernard Godfrey, 1728–op.1794
Knighton, the Seat of George M. Bisset, Esq
before 1781
Francesco Bartolozzi Georgiana, Countess Spencer
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1782
Francesco Bartolozzi Tancred and Clorinda
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
James Caldwall Hagley Hall
Print made by James Caldwall, 1739–1819
Hagley Hall
undated
Francesco Bartolozzi Cleone
Print made by Francesco Bartolozzi, 1728–1815
Cleone
1784
William Ellis The House of William Russell, Esq., Showell Green
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
William Ellis Bordesley Hall, the Seat of John Taylor, Esq.
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792