The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
9
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
10
Print made by David Lucas, 1802–1881
Mill Near Colchester
1845
11
Print made by David Lucas, 1802–1881
Noon
1830
12
Print made by David Lucas, 1802–1881
Hampstead Heath, Harrow in the Distance
1845
13
Print made by David Lucas, 1802–1881
A Mill
1830
14
Print made by David Lucas, 1802–1881
Summer Morning
1831
15
Print made by David Lucas, 1802–1881
Summer Evening
1831
16
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
17
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
18
Print made by James C. Allen, active 1821–1831
The Custom House
1827
19
Print made by James C. Allen, active 1821–1831
The Custom House
1827
20
Print made by David Lucas, 1802–1881
Flatford Mill
1844
21
Print made by Robert Wallis, 1794–1878
Havre
1833
22
Print made by Robert Wallis, 1794–1878
Havre
1832
23
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
24
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
25
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
26
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
27
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
28
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
29
Print made by Robert Wallis, 1794–1878
Ramsgate
1814 to 1826
30
Print made by James C. Allen, active 1821–1831
Addingham Mill on the Warfe
1821
31
Print made by unknown artist
The Little Devil's Bridge
between 1816 and 1820
32
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
33
Print made by George Cooke, 1781–1834
Naples, from the Mole
1820
34
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1819
35
Print made by George Cooke, 1781–1834
Naples, from the Mole
1819
36
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carria
1818-1820
37
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
38
Print made by Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
39
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814
40
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
41
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
42
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
43
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
44
Print made by William Bernard Cooke, 1778–1855
Weymouth
1814-1826
45
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
46
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814 to 1826
47
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
48
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
49
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
50
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
51
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
52
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
53
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
54
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
55
Print made by William Bernard Cooke, 1778–1855
Margate
1823
56
Print made by William Bernard Cooke, 1778–1855
Margate
1823
57
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
58
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
59
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
60
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
61
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
62
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
63
Print made by George Hollis, 1792–1842
Rome; Bridge and Castle of St. Angelo on the Tyber
1818
64
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
65
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
66
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
67
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
68
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
69
John Preston Neale, 1771/80–1847
The Quadrangle of the Royal Exchange
undated
70
Print made by James Baylis Allen, 1803–1876
Château of Amboise
1833
71
Print made by James T. Willmore, 1800–1863
Montjen
1833
72
Print made by Robert Brandard, 1805–1862
Quilleboeuf
1834
73
Print made by James T. Willmore, 1800–1863
Pont de l'Arche
1835
74
Print made by Edward Francis Finden, 1791–1857
Bridge of St. Cloud from Sevres
1835
75
Print made by William Radclyffe, 1780–1855
Bridge of St. Cloud & Sevres
1835
76
Print made by James T. Willmore, 1800–1863
Paris from the Barriere de Passy
1835
77
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
78
Print made by Robert Wallis, 1794–1878
William Tell's Chapel (vignette)
1830
79
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
80
William Tombleson, ca.1795–1835
Herstmonceux Castle, Sussex
undated
81
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
82
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
83
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
84
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828 to 1837
85
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828-1837
86
Print made by Robert Wallis, 1794–1878
Saumur
1830
87
Print made by Robert Wallis, 1794–1878
Saumur
1830
88
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
89
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
90
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1828-1837
91
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
92
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
93
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
94
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
95
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
96
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
97
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
98
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
99
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
100
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde