The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
The Eddystone Lighthouse
7
Matthew Urlwin Sears, active 1826–1859
Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)
8
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
9
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
10
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
11
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
12
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
13
Print made by John Bogle, 1746–1804
Night Watchman
1776
14
Print made by James T. Willmore, 1800–1863
Farne Island - Shipwreck
1853-1874
15
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
16
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
17
Print made by James Walker, 1748–1808
Rochester
1794
18
Print made by James Walker, 1748–1808
Rochester
1794
19
Print made by J. Widnell, Active 1795
Matlock
1795
20
Print made by James Walker, 1748–1808
Peterborough
1796
21
Print made by James Walker, 1748–1808
Chester
1796
22
Print made by James Walker, 1748–1808
Nottingham
1795
23
Print made by James Walker, 1748–1808
Westminster Bridge
1797
24
Print made by James Walker, 1748–1808
Peterborough
1796
25
Print made by James Walker, 1748–1808
Ely
1797
26
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
27
Print made by James Walker, 1748–1808
Wakefield
1798
28
Print made by James S. Storer, 1771–1853
Chelsea Hospital
1795
29
Print made by Thomas Tagg, died 1809
Oxford
1795
30
Print made by Thomas Rothwell, ca. 1742–1807
Guildford
1795
31
Print made by Thomas Tagg, died 1809
Northampton
1796
32
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
33
Print made by Bartholomew Howlett, 1767–1827
Sleaford Church
1801
34
Print made by John Landseer, 1769–1852
Orchard Bay
1799
35
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
36
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
37
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
38
Print made by James Basire the younger, 1769–1822
South View of Christ Church, etc. from the Meadows
1799
39
Print made by James Basire the younger, 1769–1822
South View of Christ Church, etc., From the Meadows..
1799
40
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
41
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
42
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814
43
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
44
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
45
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1812
46
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
47
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1815
48
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
49
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
50
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814 to 1826
51
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
52
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
53
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814
54
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814 to 1826
55
Print made by William Bernard Cooke, 1778–1855
The Mewstone, Entrance of Plymouth Sound
1815
56
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
57
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
58
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1815
59
Print made by William Miller, 1796–1882
Plymouth Dock, from Mount Edgecumbe
1820
60
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
61
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
62
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
63
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
64
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
65
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
66
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
67
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
68
Print made by William Bernard Cooke, 1778–1855
East & West Looe, Cornwall
1818
69
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
70
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
71
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
72
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
73
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
74
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
75
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
76
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
77
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
78
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
79
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
80
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
81
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
82
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
83
Peter Simon, 1750–1810
Tom Jones
84
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
85
Print made by George Cruikshank, 1792–1878
A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
86
Print made by John Cousen, 1804–1880
Folkestone
ca. 1844
87
Print made by Mollineux, active 1729
The Chedder Cliffs, Somersetshire
1810
88
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
89
Print made by unknown artist
Crossing the Brook
undated
90
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
91
Print made by unknown artist
The South Sea House
between 1720 and 1728
92
Print made by Thomas Bowles, ca. 1712–died 1753
The Admiralty Office
1731
93
Print made by Charles Pye, 1777–1864
London - Blackfriars Bridge, St. Pauls
undated
94
Print made by John Cousen, 1804–1880
Folkestone
ca. 1844
95
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
96
Print made by John Bluck, active 1791–1831
West India Docks
1810
97
Francois Vivares, 1709–1780
A Prospect of that Beautiful Cascade below Matlock Bath
1743
98
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
99
Print made by Jean B. C. Chatelain, 1710–1771
A View from Durdham-Down near Bristol looking down the Avon