plate etched between ca. 1880 and 1883; impression printed in 1924
4
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
5
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
6
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
7
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
8
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
9
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
10
Print made by Samuel Palmer, 1805–1881
Christmas
1850
11
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
12
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
13
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
14
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
15
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
16
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
17
Print made by Samuel Palmer, 1805–1881
The Vine
1852
18
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
19
Print made by Samuel Palmer, 1805–1881
The Vine
1852
20
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
21
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
22
Print made by George Stubbs, 1724–1806
Labourers
1789
23
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
24
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
25
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
26
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
27
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
28
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
29
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
30
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
31
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
32
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
33
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
34
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
35
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
36
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
37
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
38
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
39
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
40
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
41
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
42
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
43
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
44
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
45
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
46
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
47
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
48
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
49
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
50
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
51
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
55
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
56
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
57
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
58
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
59
Print made by William Blake, 1757–1827
Water; Plate 4
1793
60
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
61
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
62
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
63
Print made by Richard Earlom, 1743–1822
Sensibility
1789
64
Print made by Richard Earlom, 1743–1822
Sensibility
1789
65
William Ellis, 1747–1810
Beddington
1792
66
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
67
Print made by Miles Edmund Cotman, 1810–1858
River Scene, Aldercar
ca. 1837
68
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
69
Print made by George Cooke, 1781–1834
Tooting Church
1827
70
Edward Francis Finden, 1791–1857
View of Lichfield, The Birth Place of Dr. Samuel Johnson
1835
71
William Birch, 1755–1834
A View in Kew Gardens
1789
72
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
73
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
74
Print made by Jean B. C. Chatelain, 1710–1771
Horseman Fording a Stream with Cattle
1737
75
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
76
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
77
Frederick James Havell, 1801–1840
Lincoln from the Castle
ca. 1836
78
Print made by James Basire the younger, 1769–1822
Frankley Chapel, S. E., Worcestershire
1812
79
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
80
Print made by John Greig, active 1803–1853
Keep of Dudley Castle
1810
81
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
82
Print made by Francesco Bartolozzi, 1728–1815
Virtuous Love
1793
83
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated
84
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
85
Print made by George Bickham the Elder, 1683/4–1758
Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
86
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
87
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
88
Francis Jukes, 1747–1812
View of Tintern Abbey on the River Wye
1799
89
Robert Havell, 1769–1832
Crofton
1813
90
Print made by Francesco Bartolozzi, 1728–1815
Noon
undated
91
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
92
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
93
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
94
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
95
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
96
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
97
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
98
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
99
Myles Birket Foster, 1825–1899
An Old English Mill
undated
100
Print made by William Richardson, active 1842–1877