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1. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun ca. 1880
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Lake of Thun, Switzerland

Lake of Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Bath: The North Parade

Bath: The North Parade
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Embassy of Hyderbeck to Calcutta

Embassy of Hyderbeck to Calcutta
Creator:
Richard Earlom, 1743–1822
Date:
1800
Materials & Techniques:
Stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Calais Pier

Calais Pier
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
after 1832
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Lancaster Sands

Lancaster Sands
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. A View in the Villa Madama, near Rome, called II Teatro

A View in the Villa Madama, near Rome, called II Teatro
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

13. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Classical Landscape with Travellers, a Dog and House on the left

Classical Landscape with Travellers, a Dog and House on the left
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1741
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 × 15 1/4 inches (30.5 × 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. Labourers

Labourers
Creator:
Richard Earlom, 1743–1822
Date:
1790
Materials & Techniques:
Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A View of the Salfatara, a Remarkable Mountain Near Naples

A View of the Salfatara, a Remarkable Mountain Near Naples
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 15/16 x 12 9/16 inches (22.7 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Sir Godfrey Kneller

Sir Godfrey Kneller
Creator:
Print made by John Corner, 1788–1825
Date:
1821
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 7/8 x 8 1/4 inches (27.6 x 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A View to the Grotto of the Serpentine River in the Alder Grove in the Gardens of Earl Temple at Stow, in Buckinghamshire

A View to the Grotto of the Serpentine River in the Alder Grove in the Gardens of Earl Temple at Stow, in Buckinghamshire
Creator:
George Bickham the Younger, ca. 1706–1771
Materials & Techniques:
Hand-colored engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Royal Palace of Hampton Court

The Royal Palace of Hampton Court
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 x 16 1/4in. (27.9 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A View from one Tree-Hill in Greenwich Park

A View from one Tree-Hill in Greenwich Park
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Grouse Shooting

Grouse Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Bords de la Seine

Bords de la Seine
Creator:
Print made by Louis Francais, 1814–1897
Date:
between 1849 and 1862
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/8 x 17 5/8 inches (31.4 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Castle Above a Waterfall

Castle Above a Waterfall
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Soft-ground etching on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 7 x 5 3/16 inches (17.8 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Back of the New Mills, Norwich

Back of the New Mills, Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1812
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Tobias and the Angel

Tobias and the Angel
Creator:
Print made by John Smith, 1652–1743
Date:
ca. 1685
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

St. Vincent's Rocks, Clifton (Hotwell House and Baths)
Creator:
Print made by unknown artist
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Morning

Morning
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

35. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Religion of Europe: Professed and Practiced

The Religion of Europe: Professed and Practiced
Creator:
Print made by Gregory, Collins and Reynolds, active 1843
Date:
ca. 1845
Materials & Techniques:
Wood-engraving and color printed woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Campos sur les bords du Rio das Velhas

Campos sur les bords du Rio das Velhas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Lac de Killin

Lac de Killin
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Ancienne Tour Près de Lanark

Ancienne Tour Près de Lanark
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Château Vilain sur la Riviere Dain, Franche Comte

Château Vilain sur la Riviere Dain, Franche Comte
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Clare Hall

Clare Hall
Creator:
Print made by John Bluck, active 1791–1831
Date:
1814
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Christmas (tail piece)

Christmas (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 1/16 inches (11 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The House of William Russell, Esq., Showell Green

The House of William Russell, Esq., Showell Green
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:
Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The House of William Russell, Esq., Showell Green: English and French Text

The House of William Russell, Esq., Showell Green: English and French Text
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:
Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The House of George Humphrys, Esq., Spark Brook

The House of George Humphrys, Esq., Spark Brook
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Baskerville House, the Residence of John Ryland, Esq.

Baskerville House, the Residence of John Ryland, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Manse and Church of Cults, the Birthplace of Wilkie

Manse and Church of Cults, the Birthplace of Wilkie
Creator:
John Cousen, 1804–1880
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Buckingham House, St. James' Park

Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. View of a Portico by the Side of a River, with Herdsmen and Cattle

View of a Portico by the Side of a River, with Herdsmen and Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

52. A Landscape with Cattle

A Landscape with Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1775
Materials & Techniques:
Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

53. Dusty Millers

Dusty Millers
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers)
Dimensions:
Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

54. Tynemouth Castle and Priory, Northumberland

Tynemouth Castle and Priory, Northumberland
Creator:
Print made by Benjamin Comte, 1760–1851
Date:
1802
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Niobe

Niobe
Creator:
Print made by William Sharp, 1749–1824
Date:
1792
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Landscape with a Fisherman

Landscape with a Fisherman
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 5/8 inches (24.8 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

57. Battersea Reach

Battersea Reach
Creator:
James McNeill Whistler, 1834–1903
Date:
1863
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

58. A Moonlit Landscape with Cattle by a Pool

A Moonlit Landscape with Cattle by a Pool
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

61. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

62. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

65. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

67. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Dido and Aeneas; The Morning of the Chase

Dido and Aeneas; The Morning of the Chase
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Military Costumes of the Reign of King Henry VI, 1447

Military Costumes of the Reign of King Henry VI, 1447
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1812
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

71. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Tobit and the Angel

Tobit and the Angel
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

73. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

74. River Meuse

River Meuse
Creator:
Print made by Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/8 inches (20.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

75. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

76. Coastal Scene

Coastal Scene
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 16 9/16 inches (28.8 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

77. View of the Clifton Suspension Bridge

View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Wooded Landscape with a River Leading to Distant Buildings

Wooded Landscape with a River Leading to Distant Buildings
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Front of the New Mills

Front of the New Mills
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The Magicians Marching off After the Success of their Incantations

The Magicians Marching off After the Success of their Incantations
Creator:
Edward Rooker, 1724–1774
Date:
ca. 1763
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Blacksmith's Shop

The Blacksmith's Shop
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1838
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Udaipur, 1916

Udaipur, 1916
Creator:
Print made by Charles W. Bartlett, 1860–1940
Date:
1916
Materials & Techniques:
Color woodblock print on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 15 15/16 inches (28.9 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

83. Walberswick Ferry

Walberswick Ferry
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1913
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 11 1/8 x 15 11/16 inches (28.2 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. Oriental Scenes

Oriental Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. George Pritchard, Her Britannic Majesty's Consul

George Pritchard, Her Britannic Majesty's Consul
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Ben Nevis

Ben Nevis
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. View near Bingen

View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Bacharach and View near Bingen

Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Bacharach

Bacharach
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Chepstow Castle

Chepstow Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. A Cudgelling Match between English and French Negroes in the Island of Dominica

A Cudgelling Match between English and French Negroes in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Witley Court in Worcestershire, the Seat of Lord Foley

Witley Court in Worcestershire, the Seat of Lord Foley
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Games at Vauxhall: Playing at Cricket

Games at Vauxhall: Playing at Cricket
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
ca. 1743
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir
Creator:
Print made by John Browne, 1741–1801
Date:
after 1762
Materials & Techniques:
Etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 9 x 12 1/16 inches (22.8 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. South East View, Lincoln's Inn

South East View, Lincoln's Inn
Creator:
Print made by Day & Co., 1824–1913
Date:
between 1845 and 1850
Materials & Techniques:
Lithograph on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 x 15 3/4 inches (28.5 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Horseman Fording a Stream with Cattle

Horseman Fording a Stream with Cattle
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 13/16 inches (14.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection