Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
4
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
5
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
21
Paul Drury, 1903–1987
After Work
1926
22
Print made by Richard Brookshaw, 1736–1804
Man with Jug
undated
23
Print made by James Basire, 1730–1802
James Harris
after 1776
24
Print made by James Basire, 1730–1802
Benjamin Hoadly, D. D., Bishop of Winchester, Aged LXXX
1773
25
Print made by Johann Jacobus Haid, 1704–1767
Vie debauche de l'Enfant Prodigue
undated
26
Print made by Johann Jacobus Haid, 1704–1767
La bonheur du Mariage
undated
27
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
28
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
29
Print made by R. Clamp, fl.1789–1798
Sir John Hawkins
1794
30
Print made by John Hall, 1739–1797
William Shenstone, Esq
1780
31
Print made by Johann Jacobus Haid, 1704–1767
L'Enfant Prodigue dans la plus grande Misere
undated
32
Print made by Johann Jacobus Haid, 1704–1767
Le jeu de dames
undated
33
Print made by Johann Jacobus Haid, 1704–1767
Le jeu de domino
undated
34
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
35
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
36
James Basire the younger, 1769–1822
Benjamin Hoadly, Bishop of Winchester
1771
37
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Fridericus D. G., Marchio Badensis et Hachberg
undated
38
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
39
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
40
James Faed Sr., 1821–1911
Shakespeare in His Study
1859
41
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
42
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
43
Pieter S. van der Gunst, 1659–c. 1724
Thomas Wolsey
undated
44
Print made by John Copley, 1875–1950
Morning on a Hillside
1936
45
Print made by John Copley, 1875–1950
An Autumn Afternoon on Hampstead Heath
1939
46
Print made by John Copley, 1875–1950
A Figure in Distress
1944
47
Print made by John Copley, 1875–1950
A Bather About to Dive
1932
48
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
49
Print made by R. Clamp, fl.1789–1798
William Sommers, King Henry VIII's Jester
undated
50
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
51
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
52
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
53
George Vertue, 1684–1756
Johannes Potter, Archiepiscopus Cantuariensis
1741
54
Print made by Isaac Cruikshank, 1764–1811
Washing the Blackamoor
1795
55
Robert Dighton, 1752–1814
A Jack in Office
1793
56
Print made by John Bogle, 1746–1804
Night Watchman
1776
57
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
58
Print made by Henry William Bunbury, 1750–1811
How to Ride Without a Bridle
undated
59
Print made by James Bretherton, ca. 1730–1806
George Stubbs: A Sketch
undated
60
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
61
Print made by James Bretherton, ca. 1730–1806
Study of a Man with Stick Wearing the Order of the Garter
1782
62
Engraved by George Baxter, 1804–1867
Balmoral Castle
after 1850
63
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
64
Print made by John Copley, 1875–1950
In My Studio
1949
65
Print made by William Doughty, 1757–1782
The Honorable Augustus Keppel, Admiral of the Blue
1779
66
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
67
Print made by John Condé, 1765–1794
His Royal Highness George Prince of Wales
1794
68
Print made by George Arnald, 1763–1841
Choquer
1821
69
Print made by Philip Dawe, ca.1750–ca.1790
Theodosius
1780
70
Print made by Joseph Collyer, 1748–1827
David Hume
undated
71
Print made by John Hall, 1739–1797
David Garrick, Esq
1773
72
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
73
Print made by George Arnald, 1763–1841
Choquer
1821
74
William Lee Hankey, 1869–1952
The Flight from Belgium
1914
75
Print made by Frederick Landseer Maur Griggs, 1876–1938
Totterne Inn
1919
76
Print made by James McNeill Whistler, 1834–1903
Ryde Pier
1887
77
Print made by Richard Samuel Chattock, 1825–1906
Footbridge over the Wiley
1884
78
James McNeill Whistler, 1834–1903
The Storm
1861
79
Gerard Edelinck, 1640–1707
Édouard Colbert, Marquis de Villacerf
1696
80
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
81
Print made by Joseph Brown, 19th century
James Gillray
1848
82
Print made by Anthony Cardon, 1772–1813
E. Edwards, Associate and Teacher of Perspective in the Royal Academy
1808
83
Print made by Thomas Chambars, ca. 1724–1789
Francesco Cleyn
undated
84
Print made by William Carpenter, 1818–1899
Charles Fox
1849
85
Print made by Thomas Chambars, ca. 1724–1789
Samuel Cooper
undated
86
Thomas Harland, active early 19th century
Charles Barry
undated
87
William Camden Edwards, 1777–1855
John Bacon, R. A
1830
88
Print made by William Baillie, 1723–1810
Captain William Baillie
between 1750 and 1810
89
Print made by George T Doo, 1800–1886
Sir Charles Eastlake, R. A
1873
90
Sir George Hayter, 1792–1871
Sir George Hayter
1822
91
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
92
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
93
Print made by Francesco Bartolozzi, 1728–1815
Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c
1781
94
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
95
Print made by Francesco Bartolozzi, 1728–1815
John Dunning
1787
96
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
97
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower