Materials & Techniques: etching (printing process) and wove paper / Period: 19th century / Subject Terms: men / Classification: Prints - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Materials & Techniques wove paper

Period 19th century

Subject Terms men

Classification Prints

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Walter Geikie Edinburgh Castle and Horse Fair

Walter Geikie, 1795–1837

Edinburgh Castle and Horse Fair

1830

George Arnald Bouvignes and Dinant

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

George Arnald Left Bank, Meuse

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

George Arnald Left Bank, Meuse

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

John Augustus Atkinson Fools; or Jesters

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

Charles Ansell Hamlet

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

unknown artist The Young Roscius

Print made by unknown artist

The Young Roscius

1804

George Baxter George Pritchard, Her Britannic Majesty's Consul

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Eaton Hall

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Bradshaw & Blacklock Osborne House

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Vincent Robert Alfred Brooks Ten Needle-Box Prints

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Robert Isaac Cruikshank A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

Print made by Robert Isaac Cruikshank, 1789–1856

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

George Cruikshank Traveling in France -or, -Le départ de la diligence

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Robert Isaac Cruikshank Dandies Having a Treat

Print made by Robert Isaac Cruikshank, 1789–1856

Dandies Having a Treat

1818

Robert Isaac Cruikshank Monstrosities of 1827

Print made by Robert Isaac Cruikshank, 1789–1856

Monstrosities of 1827

1835

George Cruikshank Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

John Bell Charon's Boat

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

John Greig Cloisters of Worcester Cathedral

John Greig, active 1803–1853

Cloisters of Worcester Cathedral

1807

Matthew Dubourg Grouse Shooting

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

William John Cooke Worcester

Print made by William John Cooke, 1797–1865

Worcester

undated

Charles Heath Regent's Canal Basin, City Road

Charles Heath, 1785–1848

Regent's Canal Basin, City Road

undated

Richard Earlom Vulcan's Forge

Print made by Richard Earlom, 1743–1822

Vulcan's Forge

1802

Thomas Higham Benacre Hall, Suffolk

Thomas Higham, 1796–1844

Benacre Hall, Suffolk

1819

S. T. Davies Lincoln from the River Witham

Print made by S. T. Davies, active ca. 1835

Lincoln from the River Witham

undated

William Angus Witley Court in Worcestershire, the Seat of Lord Foley

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Richard Earlom A Landscape, with the Story of Europa

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Europa

1802

John Corner Sir Godfrey Kneller

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

George Cruikshank Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

George Cruikshank Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Thomas Creswick The Blacksmith's Shop

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

John Crome Back of the New Mills, Norwich

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Thomas Creswick Moonlight

Print made by Thomas Creswick, 1811–1869

Moonlight

1839

John Bell The City of the Pestilence

Print made by John Bell, 1811–1895

The City of the Pestilence

between 1826 and 1852

John Bluck Clare Hall

Print made by John Bluck, active 1791–1831

Clare Hall

1814

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

Augustus Fox The Dreams of the Youthful Shakespeare

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I

Print made by George Cruikshank, 1792–1878

London. A Street: 'Henry IV Part II,' Act II, Scene I

after 1857

Georg Goldberg "Antony and Cleopatra," Act III, Scene XI

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Edward Radclyffe Calais Pier

Print made by Edward Radclyffe, 1809–1863

Calais Pier

after 1832

Edward Radclyffe Lancaster Sands

Print made by Edward Radclyffe, 1809–1863

Lancaster Sands

undated

Richard Earlom Tiger Hunting in the East Indies

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

George Cruikshank Monstrosities of 1822 - Pt. 5

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

George Cruikshank Specimens of Waltzing

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

George Baxter The Great Exhibition: Exterior View from the Southwest

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Bradshaw & Blacklock Hampton Court

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Print made by George Baxter, 1804–1867

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

1841

Bradshaw & Blacklock Bacharach

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Bradshaw & Blacklock View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Bradshaw & Blacklock Bacharach and View near Bingen

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Bradshaw & Blacklock, active ca.1850

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

John Bluck Water Engine, Cold-Bath-Field's Prison

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

John Bluck West India Docks

Print made by John Bluck, active 1791–1831

West India Docks

1810

John Bluck Saint Stephen's, Walbrook

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

Henry Dawe River Meuse

Print made by Henry Dawe, 1790–1848

River Meuse

undated

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Luigi Schiavonetti The Day of Judgment

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Luigi Schiavonetti Death's Door

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Luigi Schiavonetti The Death of the Good Old Man

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

Luigi Schiavonetti The Descent of Man into the Vale of Death

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

John Crome Front of the New Mills

Print made by John Crome, 1768–1821

Front of the New Mills

1813

John Bruce Chain Pier at Brighton

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Sir David Young Cameron Via ai Prati, Genoa [North Italian Set: No. 8]

Print made by Sir David Young Cameron, 1865–1945

Via ai Prati, Genoa [North Italian Set: No. 8]

1896

Sir David Young Cameron The Palace of the Stuarts

Print made by Sir David Young Cameron, 1865–1945

The Palace of the Stuarts

1898

Sir David Young Cameron Siena

Print made by Sir David Young Cameron, 1865–1945

Siena

1900

Sir Francis Seymour Haden The Breaking Up of the Agamemnon, no. 2

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Sir Francis Seymour Haden The Breaking Up of the Agamemnon, no. 2

Print made by Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880