Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Use: Free to Use / Subject Terms: clouds / Classification: Prints

Print made by Sir Charles D'Oyly, 1781–1845

A Bheesty or Water Carrier

ca. 1830

Print made by John Boydell, 1720–1804

A Calm

1754

George Bickham the Elder A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

1731

Print made by David Lucas, 1802–1881

A Heath

1831

Print made by George Bickham the Elder, 1683/4–1758

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

Print made by David Lucas, 1802–1881

A Mill

1830

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Pierre Charles Canot, ca. 1710–1777

A Ship in Distress

1745

Pierre Charles Canot, ca. 1710–1777

A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by Pierre Charles Canot, ca. 1710–1777

A Strong Gale or Squall

1745

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

Nathaniel Parr, active 1742–1751

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

between 1780-1815

Thomas Girtin, 1775–1802

A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

1802

Thomas Bowles, ca. 1712–died 1753

A View of the Stadt House, New Church, Weighing House, and the adjacent Buildings at Amsterdam

undated

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

George Bickham the Elder A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)

1731

Edward Fisher, 1722–1785

Admiral Augustus Keppel, Viscount Keppel

1759

Edward Fisher, 1722–1785

Admiral George Edgcumbe, first Earl of Mount Edgcumbe

1760

Print made by William Blake, 1757–1827

Air; Plate 6

1793

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 2, Title Page

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

Print made by Richard Parkes Bonington, 1802–1828

Ancienne Porte a Stirling

1826

Print made by Esme de Boulonois, active 1645–1681

Antonius Morus Ultraiectinus Pictor

between 1645 and 1681

George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Print made by George Bickham the Younger, ca. 1706–1771

Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.

1751

Print made by William Richardson, active 1842–1877

Ashestiel

1835

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Thomas Watson, 1743–1781

Barbara Palmer (née Villiers) Countess of Castlemaine

undated

Etched by Joseph Mallord William Turner, 1775–1851

Basle

1807

Print made by John Robert Cozens, 1752–1797

Bath: The Crescent

1773

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

1793

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by Letitia Byrne, 1779–1849

Bolton Abbey, Yorkshire

1809

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by Sir Charles D'Oyly, 1781–1845

Brahmins at a Toolsee Altar

ca. 1830

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by Samuel Buck, 1696–1779

Bristol High Cross

1734

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

James Duffield Harding, 1798–1863

Château Vilain sur la Riviere Dain, Franche Comte

undated

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Attributed to David Lucas, 1802–1881

Cottage in a Cornfield

1844

Print made by David Lucas, 1802–1881

Cottage in a Cornfield

1844

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by Richard Parkes Bonington, 1802–1828

Croix de Moulin les Planches

1827

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Richard Parkes Bonington, 1802–1828

Edinbourgh vu de la Chapelle S. Antoine

ca. 1826

Print made by John Dixon, ca. 1740–1811

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

1771

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by John Boydell, 1720–1804

Evening

1755

Print made by Richard Parkes Bonington, 1802–1828

Façade de l'Eglise de Brou

1825

Print made by Francesco Bartolozzi, 1728–1815

February

1793

Etched by Joseph Mallord William Turner, 1775–1851

Flint Castle, Vessels Unloading

1807

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by Gerard van der Gucht, 1696–1776

Fort St. George

1736

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Print made by James Basire the younger, 1769–1822

Frankley Chapel, S. E., Worcestershire

1812

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by Richard Parkes Bonington, 1802–1828

Glenfinlas

1826

James Duffield Harding, 1798–1863

Gorge du Mont Terrible

undated

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by unknown artist

Hawes Bridge near Kendal

undated

Print made by Francesco Bartolozzi, 1728–1815

Hebe

1782

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Image Use Free to Use

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Image Use Free to Use

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