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Materials & Techniques aquatint

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Period 19th century

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Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
George Baxter Little Red Riding Hood
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
George Baxter Pomare, Queen of Tahiti
Print made by George Baxter, 1804–1867
Pomare, Queen of Tahiti
1845
Bradshaw & Blacklock Highland Dancers
Print made by Bradshaw & Blacklock, active ca.1850
Highland Dancers
after 1850
Bradshaw & Blacklock Castles in England
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Her Majesty Queen Victoria & Family
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
Bradshaw & Blacklock Greenwich Hospital
Print made by Bradshaw & Blacklock, active ca.1850
Greenwich Hospital
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
George Baxter Queen Victoria
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
Bradshaw & Blacklock Returning from the Spring. Virginia.
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Vincent Robert Alfred Brooks Ten Needle-Box Prints
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock Albanian Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Double Hairpin Set
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
Thomas Malton Lincoln Cathedral
Thomas Malton, 1726–1801
Lincoln Cathedral
1800
John Bruce Chain Pier at Brighton
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
unknown artist Returning from a Review...Paris
unknown artist
Returning from a Review...Paris
1802
unknown artist Inn Yard at Calais
unknown artist
Inn Yard at Calais
1802
unknown artist Breakfast at Breteuil
unknown artist
Breakfast at Breteuil
1801
unknown artist Changing Horses Near Clermont
unknown artist
Changing Horses Near Clermont
1802
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
John Bluck Saint Stephen's, Walbrook
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
John Bluck Water Engine, Cold-Bath-Field's Prison
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
John Hill Dining Hall, Asylum
John Hill, 1770–1850
Dining Hall, Asylum
1808
John Augustus Atkinson Costume of the Reign of King Henry III, 1250
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
John Augustus Atkinson Fools; or Jesters
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
George Cruikshank Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
George Cruikshank Finding things not exactly what he expected - Plate 2
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
George Cruikshank Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
David Allan Patie Rebukes Roger
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
David Allan Alan Ramsay Scotus
Print made by David Allan, 1744–1796
Alan Ramsay Scotus
1808
David Allan Glaud and Symon
Print made by David Allan, 1744–1796
Glaud and Symon
1808
David Allan Bauldy and Mause
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
David Allan Sir William Worthy and Patie
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
David Allan Jenny and Roger
Print made by David Allan, 1744–1796
Jenny and Roger
1808
David Allan Madge and Bauldy
Print made by David Allan, 1744–1796
Madge and Bauldy
1808
David Allan Bauldy, Symon and Sir William Worthy
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
David Allan Glaud and Peggy
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
David Allan Peggy Advocates a Sweetheart
Print made by David Allan, 1744–1796
Peggy Advocates a Sweetheart
1808
David Allan Peggy and Patie
Print made by David Allan, 1744–1796
Peggy and Patie
1808