The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
8
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
9
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
10
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
11
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
12
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814
13
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814
14
Print made by William Bernard Cooke, 1778–1855
Weymouth
1814-1826
15
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
16
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
17
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
18
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1811-1812
19
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
20
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
21
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
22
Print made by William Bernard Cooke, 1778–1855
Lyme Regis
1814
23
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1815
24
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
25
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
26
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour