Materials & Techniques: line engraving and wove paper / Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Genre: architectural subject / Associated Places: England

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by William Miller, 1796–1882

Berwick on Tweed

1834

Print made by John Wykeham Archer, 1808–1864

Richmondshire Castle and Town

1820

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

1815

William Tombleson, ca.1795–1835

Herstmonceux Castle, Sussex

undated

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by S. Porter, active 1802

Durham Cathedral

1802

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by John Thomas Smith, 1766–1833

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by John Le Keux, 1783–1846

Compartment on One Side, St Stephen's Chapel

1825

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Print made by John Thomas Smith, 1766–1833

Oak Door Discovered in the Speaker's State Dining Room

1806

Print made by Thomas A. Woolnoth, 1785–1857

Plate III: Crypt under St Stephen's Chapel

ca. 1836

Print made by Robert William Billings, 1813–1874

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

Print made by unknown artist

Staircase at Southeast Angle, Painted Chamber, Westminster

1835

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by Henry Melville, active 1826–1841

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

Print made by unknown artist

Exterior & Interior Views of the Painted Chamber & Old House of Lords

1823

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

Print made by William Deeble, active 1814–1849

The Parliament House, from Old Palace Yard, Westminster

1829

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by Augustus Charles Pugin, 1762–1832

Henry VII Chapel at Westminster Showing Two Renovated Pinacles

undated

Print made by George Barret Jr., 1767–1842

Marriage of Henry the seventh

1796

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by James Baylis Allen, 1803–1876

Castle Upnor

1833

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory

1832

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by William Radclyffe, 1780–1855

Eton College

1831

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by Henry Hobson, born 1814

Eastnor Castle, Herefordshire

between 1812 and 1825

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by John Fairburn, active 19th century

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

1796

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

unknown artist

A view of the inside of Westminster Hall

ca. 1700

unknown artist

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by William Francis Starling, active first half 19th century

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

1843

Print made by John Carter, 1748–1817

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Materials & Techniques wove paper

Collection Prints and Drawings

On-site Access Accessible by appointment in the Study Room

Genre architectural subject

Associated Places England

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Materials & Techniques wove paper

Collection Prints and Drawings

On-site Access Accessible by appointment in the Study Room

Genre architectural subject

Associated Places England

Search Results