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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomImage Available Available
Remove constraint Image Available: AvailableImage Use Free to Use
Remove constraint Image Use: Free to UseSubject Terms woman
Remove constraint Subject Terms: womanClassification Prints
Remove constraint Classification: PrintsSearch Results
1
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
2
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
3
- The Morning of Life
- 1860-1861
4
- The Homeward Star
- begun ca. 1880
5
- The Farmer's Wife and the Raven
- 1788
6
- Christ and the Woman of Samaria
- 1819
7
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
8
- Christ and the Woman of Samaria
- 1819
9
- The Deluge
- between 1813 and 1823
10
- Apuleia in Search of Apuleius
- between 1813 and 1823
11
- Tenth Plague of Egypt
- 1816
12
- Procris and Cephalus
- 1812
13
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
14
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
15
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
16
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
17
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
18
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
19
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
20
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
21
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
22
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
23
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
24
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
25
- Songs of Innocence and of Experience
- 1789-1794
26
- Fille d'Auberge
- 1774
27
- A Modern Spread Eagle
- 1782
28
- Study of a Lady
- 1781
29
- Procris and Cephalus
- 1864
30
- Fitting out. - Plate 1
- 1820
31
- Mrs. Cosway
- 1787
32
- Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
- 1828
33
- Lady's Maid Soaping Linen
- 1769
34
- Domestick Employment Ironing
- ca. 1769
35
- The Pretty Maid with Her Apron Before the Candle
- 1770
36
- Rinaldo and Armida
- 1775
37
- Maria Siddons
- between 1800 and 1830
38
- The Right Honorable Elizabeth, Countess of Northumberland
- between 1681 and 1685
39
- The Discovery
- 1788
40
- The Pretty Ballad Singer
- 1769
41
- The Deluge
- 1828
42
- The Crucifixion
- 1834
43
- Marcus Curtius
44
- Bath: The Crescent
- 1773
45
- West Window of the Chapel, New College Oxford: The Virtues - Faith
- 1781
46
- West Window of the Chapel, New College Oxford: The Virtues - Prudence
- 1782
47
- Venus Childing Cupid
- 1784
48
- Dr. John Thomas, Lord Bishop of Rochester
- 1788
49
- West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
- 1785
50
- West Window of the Chapel, New College Oxford: The Virtues - Charity
- 1781
51
- West Window of the Chapel, New College Oxford: The Virtues - Hope
- 1781
52
- West Window of the Chapel, New College Oxford: The Virtues - Temperance
- 1782
53
- The Death of Dido
- 1796
54
- West Window of the Chapel, New College Oxford: The Virtues - Justice
- 1782
55
- Isabella Clara Eugenia
- ca. 1635
56
- Lovelace in Prison
- 1788
57
- Antonio Vandyck
- ca. 1693
58
- Elizabeth, Countess of Northumberland
- between 1759 and 1776
59
- The Right Honorable Elizabeth Lady Melbourne
- 1771
60
- Mrs. Abington
- undated
61
- Florence, from the Chiesa al Monte
- 1820
62
- Mary, Countess of Seaforth
- 1751
63
- In Her Love-Darting Eyes Awakes the Fires
- between 1735 and 1757
64
- Lady Charles Spencer
- ca. 1767
65
- Cottage at Diss
- 1811
66
- The Mighty Mother Sails Through the Air
- 1787
67
- Sketch at Mulbarton
- between 1810 and 1811
68
- Remains of the Priory, Beeston Regis
- 1810
69
- Repose in Egypt
- ca. 1776
70
- Moon-Light
- ca. 1797
71
- Mamma at Romps
- 1810
72
- The Battle of the Cataplasm
- between 1773 and 1817
73
- The Royal Naval School at New Cross
- undated
74
- Mrs. Abington As Thalia
- 1783
75
- Florence, from Chiesa al Monte
- 1820
76
- Rochester
- 1794
77
- Bridgenorth
- 1795
78
- Westminster Bridge
- 1797
79
- South View of Christ Church, etc., From the Meadows..
- 1799
80
- Florence, from Chiesa al Monte
- 1820
81
- The Reunion of the Soul & the Body
- 1808, published 1813
82
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
83
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
84
- Mrs. Baddely
- 1772
85
- At the Villa Aldobrandini at Rome
- undated
86
- Tynemouth Castle and Priory, Northumberland
- 1802
87
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
88
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
89
- Baskerville House, the Residence of John Ryland, Esq
- 1792
90
- North West View, Lincoln's Inn
- between 1845 and 1850
91
- Virtuous Love
- 1793
92
- Ticket: Walker's Lectures
- 1794
93
- St. Cecilia
- 1784
94
- Medallions of F. Hutcheson and L. Natter
- 1780
95
- Tooting Church
- 1827
96
- Ticket: Anacreontic Society Meeting
- 1779
97
- Captain Conquest and His Baggage Wagon
- 1772
98
- Iris
- 1808
99
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
100
- The Oyster Woman
- 1769