<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Subject Terms men

Remove constraint Subject Terms: men

Search Results

Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
Richard Earlom Susanna and the Elders
Print made by Richard Earlom, 1743–1822
Susanna and the Elders
1769
Thomas Bonner Junius
Print made by Thomas Bonner, ca. 1740–ca. 1812
Junius
1769
John Dixon Peasants Drinking
Print made by John Dixon, ca. 1740–1811
Peasants Drinking
between 1765 and 1771
John Bluck Water Engine, Cold-Bath-Field's Prison
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
John Bluck Saint Stephen's, Walbrook
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left
Print made by Jean B. C. Chatelain, 1710–1771
Classical Landscape with Travellers, a Dog and House on the left
1741
Richard Earlom Tiger Hunting in the East Indies
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
Frederik Christiaan Bierweiler De Hemelvaart
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Hemelvaart
ca. 1820
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
Richard Brookshaw The Contented Dutchmen
Print made by Richard Brookshaw, 1736–1804
The Contented Dutchmen
1770
Richard Brookshaw Susanna and the Two Elders
Print made by Richard Brookshaw, 1736–1804
Susanna and the Two Elders
undated
Henry Dawe River Meuse
Print made by Henry Dawe, 1790–1848
River Meuse
undated
Frederik Christiaan Bierweiler De Begraving
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Begraving
ca. 1820
Frederik Christiaan Bierweiler De Kruisiging
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
John Dixon The Old Beau in an Extasy
Print made by John Dixon, ca. 1740–1811
The Old Beau in an Extasy
1773
Louis de Fontaine Wandering Musicians
Print made by Louis de Fontaine, active 1723–1757
Wandering Musicians
undated
Matthew Darly Statue Hall or the Modern Register Office
Print made by Matthew Darly, active 1754–1778
Statue Hall or the Modern Register Office
1769
John Boydell Night
Print made by John Boydell, 1720–1804
Night
1756
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
Stanley Anderson Somerset House, London
Print made by Stanley Anderson, 1884–1966
Somerset House, London
1910
Stanley Anderson Horse Guards
Print made by Stanley Anderson, 1884–1966
Horse Guards
1911
Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
Frederick Landseer Maur Griggs The Pool
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Pool
1915
Frederick Landseer Maur Griggs The Quay
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
James Bretherton The Damnation of Obadiah
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
James Bretherton I Will Pay No More Debts of Her Contracting
Print made by James Bretherton, ca. 1730–1806
I Will Pay No More Debts of Her Contracting
1772
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
John Boydell A Calm
Print made by John Boydell, 1720–1804
A Calm
1754
David Allan Pilgrims Paying Their Devotion in St. Peters at Rome
Print made by David Allan, 1744–1796
Pilgrims Paying Their Devotion in St. Peters at Rome
between 1773 and 1775
John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869
Moonlight
1839
Thomas Creswick The Blacksmith's Shop
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
Charles Grignion A View of the Bridge at Walton-on-Thames in Surrey
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
James Gillray A Morning Ride
James Gillray, 1756–1815
A Morning Ride
1804
Frederick Landseer Maur Griggs The Pool
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Pool
1915
Frederick Landseer Maur Griggs The Cresset
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Cresset
1915
Frederick Landseer Maur Griggs The Cresset
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Cresset
1915
Frederick Landseer Maur Griggs The Quay
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
Henry Heath Ominum Gatherum No. 6
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
Benjamin Comte Tynemouth Castle and Priory, Northumberland
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
John Hassell Clapham Manor-House, Surry
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
unknown artist Messrs. Morgan & Sanders, Catherine St., Strand
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
Henry Heath Ominum Gatherum, Second Series, No. 3
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 3
undated
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
Thomas Higham Red-Scar, the Residence of William Cross, Esquire
Thomas Higham, 1796–1844
Red-Scar, the Residence of William Cross, Esquire
1832
Henry Heath Omnium Gatherum, No. 7
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
Henry Heath Ominum Gatherum, Second Series, No. 5
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
George Cooke Part of Waterloo Bridge with the Shot Tower, &c.
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
Sir David Young Cameron Dunvalanree
Print made by Sir David Young Cameron, 1865–1945
Dunvalanree
1910
Joseph Samuel Alpenny Two Travellers Watering Three Horses
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
William John Cooke Worcester
Print made by William John Cooke, 1797–1865
Worcester
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Pollard Cottager's Hospitality to Travellers of The Coach Broke Down
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
James McNeill Whistler Chelsea
James McNeill Whistler, 1834–1903
Chelsea
undated
George Cruikshank Jack Sheppard Exhibits a Vindictive Character
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
George Cruikshank Jack Sheppard Gets Drunk and Orders his Mother off
Print made by George Cruikshank, 1792–1878
Jack Sheppard Gets Drunk and Orders his Mother off
1839
George Cruikshank Cue in a Corner
Print made by George Cruikshank, 1792–1878
Cue in a Corner
1855
George Cruikshank Blear-Eyed Moll
Print made by George Cruikshank, 1792–1878
Blear-Eyed Moll
ca. 1832
George Cruikshank Jack Sheppard Tricking Shotbolt, the Gaoler
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
George Cruikshank Audacity of Jack Sheppard
Print made by George Cruikshank, 1792–1878
Audacity of Jack Sheppard
1839
George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church
Print made by George Cruikshank, 1792–1878
Jack Sheppard Committing the Robbery in Willesden Church
1839
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
George Cruikshank The First Step
Print made by George Cruikshank, 1792–1878
The First Step
undated
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878
Jonathan Wild Discovers Darrell in the Loft
1835
George Cruikshank Untitled
Print made by George Cruikshank, 1792–1878
Untitled
undated