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Collection Prints and Drawings

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The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:
Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Hind Head Hill
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Foundlings
Creator:
Print made by François M. la Cave, active 1726–1766
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 8 3/8 inches (12.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lot and His Family
Creator:
Print made by John Alexander, 1686–before 1768
Date:
ca. 1718
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Althorp Castle, Northamptonshire
Creator:
James Redway, active 1827–1838
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Ashestiel

Ashestiel
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 8 3/4 inches (33.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Ashestiel

Ashestiel
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 17 5/16 inches (29.7 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flight into Egypt
Creator:
Print made by Elisha Kirkall, ca. 1682–1742
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 13 11/16 inches (28.3 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Ann Parry
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Ann Catley in the Character of Euphrosyne
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 7/8 x 11 7/8 inches (40.3 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sensibility
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 9/16 × 11 7/16 inches (37 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Shepherd Boy
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 11/16 x 11 15/16 inches (42.4 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fools; or Jesters
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1813
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Military Costumes of the Reign of King Henry VI, 1447
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1812
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Costume of the Reign of King Henry III, 1250
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1814
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ and the Woman of Samaria
Creator:
Print made by John Simon, 1675–1755
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Miraculous Draught of Fishes
Creator:
Print made by John Simon, 1675–1755
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bath: The South Parade
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Belvoir Castle, Rutland
Creator:
M. J. Starling, active 1830
Date:
1835
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Untitled

Untitled
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 5/16 x 3 1/4 inches (11 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Bride

The Bride
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1828
Materials & Techniques:
Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sheep of His Pasture
Creator:
Print made by Edward Calvert, 1799–1883
Date:
ca. 1828
Materials & Techniques:
Engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sentinel
Creator:
Print made by Richard Ansdell, 1815–1885
Date:
1857
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, cream card
Dimensions:
Sheet: 5 7/16 × 8 inches (13.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Belle of the Village
Creator:
Print made by George Baxter, 1804–1867
Date:
1854
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:
Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich Hospital
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oriental Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Osborne House
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tintern Abbey
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Ben Nevis

Ben Nevis
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 1 7/8 x 4 15/16 inches (4.8 x 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cathedrals in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chepstow Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Minister
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1918
Materials & Techniques:
Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. Autumn

Autumn
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1922
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 8 3/4 inches (27.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

70. Cadore

Cadore
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1927
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

71. Siena

Siena
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1927
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 8 1/4 inches (27.5 x 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Minister
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1924
Materials & Techniques:
Etching; 7th state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Zoutelande
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1929
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 7/16 x 7 5/16 inches (24 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

74. Evening

Evening
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Morning

Morning
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young Mother, Baby Girl and Boy Beside a Country Fence
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper pasted on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 6 5/8 inches (21.9 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lancashire River
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1881
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
Creator:
William Dickinson, 1746–1823
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/8 × 11 inches (39 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Summit of Cader Idris Mountain
Creator:
Edward Rooker, 1724–1774
Date:
1775
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 20 7/16 inches (39.4 × 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Snowden Hill
Creator:
William Woollett, 1735–1785
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Manse and Church of Cults, the Birthplace of Wilkie
Creator:
John Cousen, 1804–1880
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 15/16 x 7 5/16 inches (30.3 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Creator:
Print made by Louisa Augusta Greville, 1743–active 1762
Date:
1760
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/8 x 12 5/8 inches (46.6 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Benacre Hall, Suffolk
Creator:
Thomas Higham, 1796–1844
Date:
1819
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 5/16 x 6 9/16 inches (11 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Tintern Abbey on the River Wye
Creator:
Francis Jukes, 1747–1812
Date:
1799
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 12 5/8 x 17 1/8in. (32.1 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1759
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sacra Christi Familia
Creator:
Print made by James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Screel Hill, Kippford
Creator:
Sir Frank Short, 1857–1945
Date:
ca. 1934
Materials & Techniques:
Etching printed in brown ink; early proof on wove paper
Dimensions:
Plate: 9 7/8 x 14 1/4in. (25.1 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel and Pearl K. Bell
Portrait of the Artist
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1921
Materials & Techniques:
Drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 13 x 10 11/16 inches (33 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Duke of Monmouth as a Boy
Creator:
Print made by unknown artist
Date:
between 1673 and 1685
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 9/16 × 10 1/4 inches (34.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

92. Viba

Viba
Creator:
Print made by Gerald Leslie Brockhurst, 1890–1978
Date:
1929
Materials & Techniques:
Etching, stipple engraving, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 x 11 1/16 inches (34.9 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Irrawaddy Nights
Creator:
Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, slightly textured, light blue laid paper
Dimensions:
Sheet: 13 1/16 x 17 9/16 inches (33.2 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Palace of the Stuarts
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1898
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
In Her Love-Darting Eyes Awakes the Fires
Creator:
Alexander van Haecken, 1701–1758
Date:
between 1735 and 1757
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 7/8 × 11 13/16 inches (45.4 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beregonium
Creator:
Print made by Katharine Cameron, 1874–1965
Date:
1920
Materials & Techniques:
Drypoint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 1/4 inches (18.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection
Autumnal Sunset
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)
The Shepherd
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunvalanree
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1910
Materials & Techniques:
Etching and drypoint on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 11 5/16 x 8 7/16 inches (28.7 x 21.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Antonius Morus Ultraiectinus Pictor
Creator:
Print made by Esme de Boulonois, active 1645–1681
Date:
between 1645 and 1681
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 11/16 x 5 7/8 inches (19.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection