Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
2
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
3
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
4
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
8
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
9
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
10
Print made by Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Hardwicke Hall
undated
11
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
12
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
13
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
14
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
15
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Kruisiging
ca. 1820
16
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
17
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
18
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
19
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
20
Print made by Johann Jacobus Haid, 1704–1767
Le depart de l'Enfant Prodigue
undated
21
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
22
after George Baxter, 1804–1867
Prince Albert
after 1855
23
Paul Sandby, 1731–1809
The Romans Polite to Strangers
ca. 1781
24
after George Baxter, 1804–1867
Prince Albert
after 1855
25
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
26
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
27
Print made by George Cruikshank, 1792–1878
Peg Todd, as Head Nurse
undated
28
Print made by unknown artist
A View of the Piazza del Popolo in the City of Rome
undated
29
Print made by unknown artist
A View of the Royal Palace at Naples
undated
30
Print made by George Cruikshank, 1792–1878
Poor Little Rose
undated
31
Print made by unknown artist
A View of the Salfatara, a Remarkable Mountain Near Naples
undated
32
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
33
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
34
James McNeill Whistler, 1834–1903
Chelsea
undated
35
Print made by John Bluck, active 1791–1831
Clare Hall
1814
36
Print made by unknown artist
A View of Campo Vaccino at Rome
undated
37
Print made by unknown artist
A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome
undated
38
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
39
Print made by Stanley Anderson, 1884–1966
Smithfield
undated
40
George C. Finden, 1811–1885
A Mythological Battle
1853
41
James Gillray, 1756–1815
A Morning Ride
1804
42
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
43
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
44
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
45
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
46
James Fittler, 1758–1835
Mail Coach
ca. 1787
47
Print made by Stanley Anderson, 1884–1966
Horse Guards
1911
48
Print made by Robert Sargent Austin, 1895–1973
The Horse of Ostend
1921
49
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
50
Print made by Sir Muirhead Bone, 1876–1953
Ely Cathedral
1903
51
Sir Muirhead Bone, 1876–1953
The Building
1904
52
Print made by Sir Muirhead Bone, 1876–1953
Walberswick Ferry
1913
53
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
54
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
55
Print made by Sir Muirhead Bone, 1876–1953
Rainy Night in Rome
1914
56
Print made by Robert Sargent Austin, 1895–1973
The Cathedral, Palma
1928
57
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
58
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
59
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
60
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
61
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
62
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
63
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
64
Print made by Thomas Bowles, ca. 1712–died 1753
The Admiralty Office
1731
65
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
66
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
67
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
68
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
69
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
70
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
71
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
72
Print made by Sir Muirhead Bone, 1876–1953
Ayr Prison
1905
73
Charles Heath, 1785–1848
Tower Hill
1825
74
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
75
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
76
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
77
Print made by Joseph Collyer, 1748–1827
The Volunteers of the City and County of Dublin
1784
78
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
79
Print made by Robert Sargent Austin, 1895–1973
The Plough
1922
80
Print made by Robert Sargent Austin, 1895–1973
The Angelus
1922
81
Print made by Robert Sargent Austin, 1895–1973
The Pack Bridge
1926
82
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
83
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
84
Thomas Malton the Younger, 1748–1804
Newgate
1799
85
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
86
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
87
Print made by James McNeill Whistler, 1834–1903
Chelsea
ca. 1882
88
Print made by Robert Sargent Austin, 1895–1973
The Blind Beggar of Tivoli
1923
89
Print made by Robert Sargent Austin, 1895–1973
Italian Fair
1923
90
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
91
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
92
James McNeill Whistler, 1834–1903
Île de la Cité, Paris
1859
93
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
94
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
95
Print made by John Bluck, active 1791–1831
Clare Hall
1814
96
Print made by William John Cooke, 1797–1865
Worcester
undated
97
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
98
Print made by William Angus, 1752–1821
Witley Court in Worcestershire, the Seat of Lord Foley
1810
99
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing