Materials & Techniques: laid paper / Image Available: Available / Work Type: intaglio print / Subject Terms: genre subject

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Stanley Anderson, 1884–1966

The National Gallery

undated

Print made by Andrew Fairbairn Affleck, 1874/7–1936

San Lorenzo

undated

Print made by James Walker, 1748–1808

The Spell, or Hobnelia

1783

Print made by Henry William Bunbury, 1750–1811

Paysan des Alpes

1769-1770

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Germanico

1772

Print made by Henry William Bunbury, 1750–1811

Paysanne de la France

1769-1770

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

William Dickinson, 1746–1823

The Relief

1781

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by James Bretherton, ca. 1730–1806

Every Sous Begad!

1799

Print made by James Bretherton, ca. 1730–1806

A Maid

1774

Print made by William Ward, 1766–1826

A Young Lady Encouraging the Low Comedian

1787

Print made by James Caldwall, 1739–1819

A French Physician with His Retinue Going to Visit His Patients

1771

Charles Grignion, 1717–1810

A French Petit Maître and His Valet

1771

Print made by James Caldwall, 1739–1819

The Macarony Brothers

1772

Sir Hubert von Herkomer, 1849–1914

Old Man

undated

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

Securing the Boats

1928

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

At the Tiller

1929

Print made by Robert Bryden, 1865–1939

Auld Brig, Ayr

1904

Print made by George Cruikshank, 1792–1878

Sagittarius - The Archer (Not "Venus' Son Divine.")

undated

Print made by unknown artist

A View of Campo Vaccino at Rome

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by unknown artist

A View of the Mole and the New Castle at Naples

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist

A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

undated

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

Print made by George Cruikshank, 1792–1878

Turning the Tables

undated

Print made by George Cruikshank, 1792–1878

Peg Todd, as Head Nurse

undated

Print made by George Cruikshank, 1792–1878

The Capture of Coldough and Harvey

undated

Print made by George Cruikshank, 1792–1878

Mr Crump's Extreme Politeness

undated

Print made by George Cruikshank, 1792–1878

"Captain Kelly conveys a slight remonstance"

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by James McNeill Whistler, 1834–1903

The Rag Gatherers

1858

Print made by George Cruikshank, 1792–1878

Cue in a Corner

1855

Print made by George Cruikshank, 1792–1878

Mr. Weazel Renews an Old Friendship

undated

Print made by George Cruikshank, 1792–1878

Poor Little Rose

undated

Print made by James McNeill Whistler, 1834–1903

Little Annie Seated

undated

Print made by George Cruikshank, 1792–1878

Virgo - Unmatched Enjoyment

undated

Print made by Callender, active mid–18th century

John's Coffee House

1745

Paul Sandby, 1731–1809

The Romans Polite to Strangers

ca. 1781

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by David Allan, 1744–1796

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

Paul Sandby, 1731–1809

The Opening of the Carnival at Rome

ca. 1781

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Charles Grignion, 1717–1810

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819

Now Sir, You're a Complete Macaroni

1772

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Francesco Bartolozzi, 1728–1815

Night

undated

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by John Faber the Younger, ca. 1695–1756

A Girl Spinning Thread

undated

Print made by John Faber the Younger, ca. 1695–1756

The Swain's Amusement

between 1748 and 1756

Print made by John Faber the Younger, ca. 1695–1756

Young Male Shearing a Sheep

undated

Print made by John Faber the Younger, ca. 1695–1756

The Housewife's Employment

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745