Coldham Hall, with H. Priest and C. Turner Angling, 1835
1835
204
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
205
Samuel Prout, 1783–1852
Study of Figures at Ulm
undated
206
Samuel Prout, 1783–1852
Group of Four Seated Men
undated
207
Samuel Prout, 1783–1852
Fisherfolk on the Beach, Ostend
undated
208
Follower of Samuel Prout, 1783–1852
A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right
undated
209
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
210
Samuel Prout, 1783–1852
Bathing Tents on the Beach, Ostend
undated
211
Robert Hills, 1769–1844
A Village Snow Scene
1819
212
T. J. Rawlins, active 1837–1840
The Hazard Room at Crockford's
1837
213
Walter Richard Sickert, 1860–1942
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
ca. 1888
214
George Augustus Sala, 1828–1895
Crows Celebrating in American Bar
undated
215
George Augustus Sala, 1828–1895
Beggars
undated
216
Richard Bridgens, active 1838
Planting the sugar cane (Trinidad)
1838
217
Richard Dadd, 1817–1886
Landscape with Cottages, Broadmoor
1873
218
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
219
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
220
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
221
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
222
Print made by Bradshaw & Blacklock, active ca.1850
Highland Dancers
after 1850
223
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
224
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
225
Print made by Bradshaw & Blacklock, active ca.1850
Oriental Scenes
after 1850
226
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
227
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
228
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
229
Print made by Bradshaw & Blacklock, active ca.1850
Albanian Scenes
after 1850
230
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
231
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
232
Print made by Henry Dawe, 1790–1848
River Meuse
undated
233
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
234
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
235
Print made by James Bretherton, ca. 1730–1806
The Salutation Tavern
1801
236
Print made by John Crome, 1768–1821
Front of the New Mills
1813
237
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
238
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
239
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
240
Print made by Philip Gilbert Hamerton, 1834–1894
Val Sainte Veronique and Ancient Chestnuts
ca. 1874
241
Print made by N. Hanhart, active 1841–1852
Interior, Abery
1856
242
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
243
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
244
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
245
Sir Francis Seymour Haden, 1818–1910
Battersea Reach
1863
246
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
247
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
248
Print made by John Doyle ('H.B.'), 1797–1868
Poking the Old Lion
1847
249
Sir David Wilkie, 1785–1841
Finding the Will
250
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
251
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
252
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
253
Print made by John Doyle ('H.B.'), 1797–1868
Supposed Colloquy between a Top Sawyer and his Brother Labourer
1843
254
Charles Heath, 1785–1848
Green Park
1825
255
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated
256
Print made by Ebenezer Challis, active 1837–1859
The Baron's Hall
1844
257
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
258
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
259
Print made by William Day, 1764–1807
The High Street, Southampton
1828
260
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
261
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
262
Thomas Hartley Cromek, 1809–1873
The Interior of the Lower Basilica of St. Francis of Assisi
1839
263
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
264
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
265
Print made by Richard Parkes Bonington, 1802–1828
Bergues - La Tour du Marché
1824
266
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
267
John Grant, Died 1873
Royal Horse Artillery, 1843
1843
268
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
269
Louis Haghe, 1806–1885
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
ca. 1840
270
Print made by Florence Claxton, active 1855–1889
A Conversazione
undated
271
Florence Claxton, active 1855–1889
Conversazione
undated
272
Florence Claxton, active 1855–1889
A Game at Cards
undated
273
Print made by Florence Claxton, active 1855–1889
A Game at Cards
undated
274
Print made by Henry Burn, active 1845
Bedford from the North
ca. 1840
275
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
276
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
277
Print made by John Doyle ('H.B.'), 1797–1868
An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"
1847
278
Print made by John Doyle ('H.B.'), 1797–1868
Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
1847
279
Print made by John Doyle ('H.B.'), 1797–1868
A Lecture on Elocution, the Professor Enforcing his Precepts by Example
1847
280
Print made by John Doyle ('H.B.'), 1797–1868
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
281
Print made by John Doyle ('H.B.'), 1797–1868
A Strong Case for Shortening the Hours of Labour
1848
282
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
283
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
284
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
285
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
286
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
287
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
288
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
289
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
290
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
291
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
292
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
293
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
294
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
295
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
296
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
297
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."