Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Period: 19th century / Subject Terms: men

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Lake of Thun, Switzerland

1808

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Print made by George Cruikshank, 1792–1878

The Arrest of Lord Edward Fitzgerald

undated

Print made by George Cruikshank, 1792–1878

The First Step

undated

Print made by George Cruikshank, 1792–1878

The Capture of Coldough and Harvey

undated

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Print made by George Cruikshank, 1792–1878

Cue in a Corner

1855

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Discovers Darrell in the Loft

1835

Print made by George Cruikshank, 1792–1878

Untitled

undated

Print made by George Cruikshank, 1792–1878

The Tailors Baffling the Bailiff

undated

Print made by George Cruikshank, 1792–1878

Turning the Tables

undated

Print made by George Cruikshank, 1792–1878

"Captain Kelly conveys a slight remonstance"

undated

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Print made by George Cruikshank, 1792–1878

Poor Little Rose

undated

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Escape from the Cage at Willesden

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Print made by Sir David Young Cameron, 1865–1945

Siena

1900

Print made by Sir David Young Cameron, 1865–1945

Porta del Molo, Genoa [North Italian Set: No. 23]

1896

Print made by Sir David Young Cameron, 1865–1945

Via ai Prati, Genoa [North Italian Set: No. 8]

1896

Print made by Sir David Young Cameron, 1865–1945

The Palace of the Stuarts

1898

Print made by Bradshaw & Blacklock, active ca.1850

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Chepstow Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Oriental Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eaton Hall

after 1850

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock, active ca.1850

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

Print made by John Bluck, active 1791–1831

West India Docks

1810

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

Print made by Robert Isaac Cruikshank, 1789–1856

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

Print made by Richard Earlom, 1743–1822

Vulcan's Forge

1802

Print made by Richard Parkes Bonington, 1802–1828

Bologna

1828

Sir Francis Seymour Haden, 1818–1910

Battersea Reach

1863

Sir Francis Seymour Haden, 1818–1910

Dusty Millers

1877

Sir Francis Seymour Haden, 1818–1910

Dusty Millers

1877

Sir Francis Seymour Haden, 1818–1910

Battersea Reach

1863

Sir Francis Seymour Haden, 1818–1910

Battersea Reach

1863

Print made by Philip Gilbert Hamerton, 1834–1894

Val Sainte Veronique and Ancient Chestnuts

ca. 1874

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

Print made by David Allan, 1744–1796

Patie Rebukes Roger

1808

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Print made by David Allan, 1744–1796

Glaud and Symon

1808

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Materials & Techniques etching (printing process)

Collection Prints and Drawings

Period 19th century

Subject Terms men

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