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Materials & Techniques etching (printing process)

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Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Hind Head Hill
Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Edward Radclyffe A Welsh Funeral
Print made by Edward Radclyffe, 1809–1863
A Welsh Funeral
undated
Edward Radclyffe Changing Pasture
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
Edward Radclyffe Lancaster Sands
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
Richard Earlom The Exposition of Cyrus
Print made by Richard Earlom, 1743–1822
The Exposition of Cyrus
1781
M. J. Starling Belvoir Castle, Rutland
M. J. Starling, active 1830
Belvoir Castle, Rutland
1835
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
David Lucas Cottage in a Cornfield
Attributed to David Lucas, 1802–1881
Cottage in a Cornfield
1844
William Miller Coombe-Martin, Devonshire
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
William Miller Coombe-Martin, Devonshire
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
William Miller Coombe-Martin, Devonshire
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
William Miller Coombe-Martin, Devonshire
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
William Miller Coombe-Martin, Devonshire
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
George Cooke Poole, Dorsetshire
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
George Cooke Poole, Dorsetshire
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
James T. Willmore Mercury and Argus
Print made by James T. Willmore, 1800–1863
Mercury and Argus
1841
James T. Willmore Mercury and Argus
Print made by James T. Willmore, 1800–1863
Mercury and Argus
1841
James T. Willmore Mercury and Argus
Print made by James T. Willmore, 1800–1863
Mercury and Argus
1841
James T. Willmore Mercury and Argus
Print made by James T. Willmore, 1800–1863
Mercury and Argus
1841
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
William Miller Modern Italy
Print made by William Miller, 1796–1882
Modern Italy
1842
William Miller Modern Italy
Print made by William Miller, 1796–1882
Modern Italy
1842
William Miller Modern Italy
Print made by William Miller, 1796–1882
Modern Italy
1842
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
William Miller Modern Italy
Print made by William Miller, 1796–1882
Modern Italy
1842
William Miller Modern Italy
Print made by William Miller, 1796–1882
Modern Italy
1842
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
Henry Dawe River Meuse
Print made by Henry Dawe, 1790–1848
River Meuse
undated
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
William Lee Hankey The Flight from Belgium
William Lee Hankey, 1869–1952
The Flight from Belgium
1914
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
William Lee Hankey In Belgium
William Lee Hankey, 1869–1952
In Belgium
1917
Sir Francis Seymour Haden Marshes opposite Erith
Sir Francis Seymour Haden, 1818–1910
Marshes opposite Erith
1865
Sir Francis Seymour Haden A Lancashire River
Sir Francis Seymour Haden, 1818–1910
A Lancashire River
1881
Robert Walker Macbeth The Ferry Inn
Print made by Robert Walker Macbeth, 1848–1910
The Ferry Inn
1881
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Print made by James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
Richard Bernard Godfrey Knighton, the Seat of George M. Bisset, Esq.
Richard Bernard Godfrey, 1728–op.1794
Knighton, the Seat of George M. Bisset, Esq
before 1781
Thomas Higham Red-Scar, the Residence of William Cross, Esquire
Thomas Higham, 1796–1844
Red-Scar, the Residence of William Cross, Esquire
1832
Frederick Landseer Maur Griggs Maur's Farm
Print made by Frederick Landseer Maur Griggs, 1876–1938
Maur's Farm
1913
Frederick Landseer Maur Griggs Stepping Stones
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stepping Stones
1915
Frederick Landseer Maur Griggs Stoke Poges
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stoke Poges
1918
Frederick Vango Burridge Harlech
Print made by Frederick Vango Burridge, 1869–1945
Harlech
1891
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
Sir Francis Seymour Haden On the Thames
Sir Francis Seymour Haden, 1818–1910
On the Thames
1859
Sir Francis Seymour Haden On the Thames
Sir Francis Seymour Haden, 1818–1910
On the Thames
1859
Sir Francis Seymour Haden The Two Asses
Sir Francis Seymour Haden, 1818–1910
The Two Asses
1863
Sir Francis Seymour Haden The Two Asses
Sir Francis Seymour Haden, 1818–1910
The Two Asses
1863
Sir Francis Seymour Haden The Two Asses
Sir Francis Seymour Haden, 1818–1910
The Two Asses
1863
Sir Francis Seymour Haden The Mill-Wheel
Sir Francis Seymour Haden, 1818–1910
The Mill-Wheel
1874
Sir Francis Seymour Haden Harlech, no. 2
Sir Francis Seymour Haden, 1818–1910
Harlech, no. 2
1880
Sir Francis Seymour Haden A Salmon River, no. 2
Sir Francis Seymour Haden, 1818–1910
A Salmon River, no. 2
1884
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834