Materials & Techniques: line engraving and wove paper / Genre: architectural subject / Associated Places: United Kingdom

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1836

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by George Cooke, 1781–1834

Critchton Castle

1819

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Print made by John Horsburgh, 1791–1869

Bell Rock Lighthouse

1824

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by S. Porter, active 1802

Durham Cathedral

1802

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Wykeham Archer, 1808–1864

Richmondshire Castle and Town

1820

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

1815

William Tombleson, ca.1795–1835

Herstmonceux Castle, Sussex

undated

Print made by William Miller, 1796–1882

Berwick on Tweed

1834

Print made by Henry Hobson, born 1814

Eastnor Castle, Herefordshire

between 1812 and 1825

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by Edward Goodall, 1795–1870

Bolton Abbey

1834

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by William John Cooke, 1797–1865

Worcester

undated

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by William Radclyffe, 1780–1855

Eton College

1831

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Robert Wallis, 1794–1878

Warwick Castle, Warwickshire

1832

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by John Fairburn, active 19th century

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

1796

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Henry Griffiths, 1835–1849

Inverlochy Castle, Invernesshire

1836

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Print made by T. Kearnan, active 1821–1850

The House of Lords, as Restored after the Fire

1835

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Henry Melville, active 1826–1841

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Print made by T. Kearnan, active 1821–1850

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827

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Materials & Techniques line engraving

Materials & Techniques wove paper

Genre architectural subject

Associated Places United Kingdom

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