A Lesson Westward - or A Morning Visit to Betsy Cole
1782
2
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
3
Print made by Henry William Bunbury, 1750–1811
How to Ride Without a Bridle
undated
4
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
5
Print made by Isaac Cruikshank, 1764–1811
Washing the Blackamoor
1795
6
Print made by George Cruikshank, 1792–1878
Monstrosities of 1822 - Pt. 5
1835
7
Print made by Robert Isaac Cruikshank, 1789–1856
Monstrosities of 1827
1835
8
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
9
Robert Dighton, 1752–1814
A Jack in Office
1793
10
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
11
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
12
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
13
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
14
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
15
after George Baxter, 1804–1867
Prince Albert
after 1855
16
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
17
Bradshaw & Blacklock, active ca.1850
Swiss Costumes
after 1850
18
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
19
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
20
Print made by Bradshaw & Blacklock, active ca.1850
Garden Flowers
after 1850
21
Print made by Bradshaw & Blacklock, active ca.1850
Greenwich Hospital
after 1850
22
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
23
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
24
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
25
Print made by Bradshaw & Blacklock, active ca.1850
Rural Scenes
after 1850
26
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
27
after George Baxter, 1804–1867
The Death of Ananias
after 1855
28
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
29
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
30
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
31
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
32
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
33
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
34
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
35
Print made by Bradshaw & Blacklock, active ca.1850
Garden Flowers
after 1850
36
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
37
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
38
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
39
Print made by Bradshaw & Blacklock, active ca.1850
Oriental Scenes
after 1850
40
Print made by Bradshaw & Blacklock, active ca.1850
Eaton Hall
after 1850
41
Print made by Bradshaw & Blacklock, active ca.1850
The Last Supper
ca. 1854
42
Print made by Bradshaw & Blacklock, active ca.1850
Italian Peasants - Tryoliean Waltz
after 1850
43
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
44
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
45
John Eginton, active 1763–1800
The Affectionate Daughter
1792
46
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
47
Print made by Richard Earlom, 1743–1822
Sensibility
1789
48
Print made by John Fairburn, active 19th century
Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
1796
49
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
50
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
51
Print made by James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
52
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
53
Print made by Samuel Arlent Edwards, 1861–1938
Beatrice d'Este
between 1895 and 1923
54
Print made by Peter P. Benazech, 1767–1794
The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..
ca. 1759
55
Robert Havell, 1769–1832
Crofton
1813
56
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
57
Print made by Francesco Bartolozzi, 1728–1815
Night
undated
58
Print made by Francesco Bartolozzi, 1728–1815
Evening
undated
59
Print made by Francesco Bartolozzi, 1728–1815
Noon
undated
60
Print made by Robert Havell, 1769–1832
View of the Front of the New Public Buildings, Guildford
1819
61
after George Baxter, 1804–1867
The Death of Ananias
after 1855
62
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
63
Print made by George Baxter, 1804–1867
The Conversion of the Proconsul
after 1855
64
after George Baxter, 1804–1867
The Miraculous Draught of Fishes
after 1855
65
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
66
George Baxter, 1804–1867
St Paul Preaching in Athens
after 1855
67
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
68
George Baxter, 1804–1867
The Sacrifice at Lystra
after 1855
69
Robert Havell, 1769–1832
Crofton
1813
70
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
71
James Gillray, 1756–1815
Le Coup de Maitre
1797
72
James Gillray, 1756–1815
The Death of the Great Wolf
1795
73
James Gillray, 1756–1815
Presages of the Millenium
1795
74
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
75
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
76
Print made by John Chapman, active ca. 1792–1823
John Locke
1811
77
Print made by Isaac Cruikshank, 1764–1811
Young Ladies
1795
78
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
79
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
80
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
81
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
82
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
83
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
84
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
85
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
86
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
87
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
88
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
89
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
90
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
91
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
92
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
93
Print made by Samuel Arlent Edwards, 1861–1938
Juliette Récamier
undated
94
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
95
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820