Materials & Techniques: etching (printing process) and wove paper / Creator Gender: male / Subject Terms: trees - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Materials & Techniques wove paper

Creator Gender male

Subject Terms trees

Samuel Palmer Christmas

Print made by Samuel Palmer, 1805–1881

Christmas

1850

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Herdsman's Cottage

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

George Stubbs Labourers

Print made by George Stubbs, 1724–1806

Labourers

1789

John Constable The Ruins of Netley Abbey

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Joseph Mallord William Turner Juvenile Tricks

Etched by Joseph Mallord William Turner, 1775–1851

Juvenile Tricks

1811

Joseph Mallord William Turner The Hindoo Worshipper

Etched by Joseph Mallord William Turner, 1775–1851

The Hindoo Worshipper

1811

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Procris and Cephalus

Print made by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake My Son! My Son! (Plate 10)

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Baxter Balmoral Castle

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

George Baxter Queen Victoria

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

George Baxter The Death of Ananias

after George Baxter, 1804–1867

The Death of Ananias

after 1855

George Baxter Prince Albert

after George Baxter, 1804–1867

Prince Albert

after 1855

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Sir Francis Seymour Haden Cowdray

Sir Francis Seymour Haden, 1818–1910

Cowdray

1882

Sir Francis Seymour Haden Cowdray

Sir Francis Seymour Haden, 1818–1910

Cowdray

1882

Letitia Byrne Bolton Abbey, Yorkshire

Print made by Letitia Byrne, 1779–1849

Bolton Abbey, Yorkshire

1809

Richard Earlom A Landscape, with the Story of Apollo and Marsyas

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Apollo and Marsyas

1775

Richard Earlom A Study

Print made by Richard Earlom, 1743–1822

A Study

1817

Richard Earlom Landscape with Ruins

Print made by Richard Earlom, 1743–1822

Landscape with Ruins

1817

Sir Francis Seymour Haden On the Thames

Sir Francis Seymour Haden, 1818–1910

On the Thames

1859

Frederick Landseer Maur Griggs Anglia Perdita

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anglia Perdita

1925

Richard Earlom A Landscape

Print made by Richard Earlom, 1743–1822

A Landscape

1817

Richard Earlom A Study

Print made by Richard Earlom, 1743–1822

A Study

1810

Richard Earlom A Study, with Ancient Ruins

Print made by Richard Earlom, 1743–1822

A Study, with Ancient Ruins

1810

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Print made by James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Thomas Bonnor Blockley Church

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Thomas Higham Red-Scar, the Residence of William Cross, Esquire

Thomas Higham, 1796–1844

Red-Scar, the Residence of William Cross, Esquire

1832

James Caldwall Hagley Hall

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

Francesco Bartolozzi Virtuous Love

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

William Ellis Beddington

William Ellis, 1747–1810

Beddington

1792

James Caldwall Ham Court, the Seat of John Martin, Esq.

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

John Burnet Buckingham House, St. James' Park

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Charles Heath Green Park

Charles Heath, 1785–1848

Green Park

1825

John Cousen Manse and Church of Cults, the Birthplace of Wilkie

John Cousen, 1804–1880

Manse and Church of Cults, the Birthplace of Wilkie

undated

unknown artist Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

Print made by unknown artist

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Edward Francis Finden View of Lichfield, The Birth Place of Dr. Samuel Johnson

Edward Francis Finden, 1791–1857

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

George Cooke Tooting Church

Print made by George Cooke, 1781–1834

Tooting Church

1827

William Angus Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Print made by William Angus, 1752–1821

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

George Arnald Left Bank, Meuse

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

George Arnald Bouvignes and Dinant

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

George Arnald Choquer

Print made by George Arnald, 1763–1841

Choquer

1821

George Arnald Left Bank, Meuse

Print made by George Arnald, 1763–1841

Left Bank, Meuse

between 1818 and 1828

George Arnald Dinant, No. 1: Southwest View

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

John Hassell View of Sion House from the Banks of the Thames

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Agostino Brunias A Cudgelling Match between English and French Negroes in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Frederick Vango Burridge Harlech

Print made by Frederick Vango Burridge, 1869–1945

Harlech

1891

Richard Earlom Sensibility

Print made by Richard Earlom, 1743–1822

Sensibility

1789

David Allan Patie Rebukes Roger

Print made by David Allan, 1744–1796

Patie Rebukes Roger

1808

David Allan Peggy and Patie

Print made by David Allan, 1744–1796

Peggy and Patie

1808

David Allan Peggy Advocates a Sweetheart

Print made by David Allan, 1744–1796

Peggy Advocates a Sweetheart

1808

Morgan Dennis Muckross Abbey, Killarney

Print made by Morgan Dennis, 1892–1960

Muckross Abbey, Killarney

undated

Robert Havell Crofton Hall, Yorkshire

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Robert Havell Crofton

Robert Havell, 1769–1832

Crofton

1813

Robert Havell Crofton

Robert Havell, 1769–1832

Crofton

1813

David Allan Glaud and Symon

Print made by David Allan, 1744–1796

Glaud and Symon

1808