Materials & Techniques: etching (printing process) / Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Image Use: Free to Use / Subject Terms: man / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Print made by Robert Isaac Cruikshank, 1789–1856

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

1822

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Print made by Thomas Gaugain, 1748–1812

James Beattie, LL.D

1805

Print made by Charles West Cope, 1811–1890

The Wanderer

1844

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Print made by Francesco Bartolozzi, 1728–1815

William Cobbett

1801

Print made by Robert Cooper, ca. 1800–1836

Daniel O'Connell, Esqr

1825

Print made by Charles Heath, 1785–1848

Thomas Gray

undated

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by John Sell Cotman, 1782–1842

Spanish Student

ca. 1830

Print made by Richard Ansdell, 1815–1885

Sleepest or Wakest Thou?

ca. 1853

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from Chiesa al Monte

1820

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by James Bretherton, ca. 1730–1806

Strephon and Chloe

1801

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by John Crome, 1768–1821

Landscape with Oak Trees

ca. 1812

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by John Martin, 1789–1854

The Deluge

1828

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Benedictus Antonio van Assen, active 1788–died 1817

John Hamilton Mortimer

1810

Print made by James Basire the younger, 1769–1822

George Vertue, Engraver

1812

Print made by George T Doo, 1800–1886

George Vertue

1849

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

Print made by Joseph Brown, 19th century

James Gillray

1848

Print made by William Carpenter, 1818–1899

Charles Fox

1849

William Camden Edwards, 1777–1855

John Bacon, R. A

1830

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Print made by Thomas Cook, 1744–1818

William Hogarth

1809

Print made by Henry Cousins, died 1864

Henry Liverseege

1835

Print made by Charles West Cope, 1811–1890

W. Mulready RA

1863

Print made by Richard Dagley, ca. 1765–1841

Richard Morton Paye

1832

Print made by George Chinnery, 1774–1852

Henry Tresham, Esq, R.A

1802

Print made by Anthony Cardon, 1772–1813

Henry Tresham, Esq. R. A

1814

Print made by Philip Audinet, 1766–1837

James Northcote

1831

Print made by Chevalier Ignace Joseph de Claussin, 1766–1844

James Northcote, R.A

1814

William Camden Edwards, 1777–1855

Nicholas Revett

1827

Print made by Frederick Atkinson, active 1800

Hugh Robinson

1800

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Print made by James Basire, 1730–1802

George Gower

1800

Print made by Anthony Cardon, 1772–1813

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by Robert Cooper, ca. 1800–1836

A. More

1826

George H. Every, 1837–1910

Sir Joshua Reynolds

1866

Print made by George Cooke, 1781–1834

Humphry Repton, Esq

1820

George H. Every, 1837–1910

Sir Joshua Reynolds

1866

Thomas Harland, active early 19th century

Charles Barry

undated

Print made by Matthew Darly, active 1754–1778

Caricature of Matthew Darly

1776

unknown artist

Henry Fuseli, Esq

1808

Print made by George T Doo, 1800–1886

Sir Charles Eastlake, R. A

1873

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiae, Apollo and the Sibyl

1873

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

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Materials & Techniques etching (printing process)

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Period 19th century

Image Use Free to Use

Subject Terms man

Classification Prints

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Materials & Techniques etching (printing process)

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Period 19th century

Image Use Free to Use

Subject Terms man

Classification Prints

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