Materials & Techniques: etching (printing process) and stipple engraving / On-site Access: Accessible by appointment in the Study Room / Subject Terms: man

Print made by Robert van Voerst, 1597–1636

Inigo Iones

ca. 1635

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by John Paine, 1623–1700

Ferdinandus Austriacus

ca. 1635

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

George Vertue, 1684–1756

Johannes Potter, Archiepiscopus Cantuariensis

1741

Print made by John Condé, 1765–1794

His Royal Highness George Prince of Wales

1794

Print made by R. Clamp, fl.1789–1798

Sir John Hawkins

1794

Print made by R. Clamp, fl.1789–1798

William Sommers, King Henry VIII's Jester

undated

Print made by William Nelson Gardiner, 1766–1814

Mr. Kemble, of the Theatre Royal, Drury Lane

1797

James Faed Sr., 1821–1911

Shakespeare in His Study

1859

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Print made by Maurice Blot, 1753–1818

Van-Dyck

undated

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

Edward Harding, 1755–1840

Robert Williams

1796

Print made by Richard Earlom, 1743–1822

Giovanni Battista Cipriani, Esqr. R. A

1789

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Gerald Leslie Brockhurst, 1890–1978

James McBey

1931

Print made by Francis Croll, baptized 1826–1854

Sir William Allan

undated

James Hardy, active 1770s

Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

undated

Print made by Francesco Bartolozzi, 1728–1815

Portrait of Joseph Haydn

1791

Print made by James Caldwall, 1739–1819

A Macarony Alderman and His Rib

1772

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Charles Heath, 1785–1848

Thomas Gray

undated

Print made by Thomas Gaugain, 1748–1812

James Beattie, LL.D

1805

Print made by Francesco Bartolozzi, 1728–1815

Sir James Wishart

between 1794 and 1798

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Print made by Samuel Freeman, 1773–1857

The Rt. Hon. Alexander Hood, Viscount Bridport, K.B

1834

Print made by Robert Cooper, ca. 1800–1836

Daniel O'Connell, Esqr

1825

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

George Siegmund Facius, 1750–1804

George III

1791

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Thomas Harland, active early 19th century

Charles Barry

undated

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by John Condé, 1765–1794

T. Banks, Sculptor, R. A

1791

Print made by unknown artist

Richard Cosway

1788

Print made by Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Print made by Joseph Brown, 19th century

James Gillray

1848

Print made by Anthony Cardon, 1772–1813

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by William Carpenter, 1818–1899

Charles Fox

1849

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1762

Print made by William Baillie, 1723–1810

Captain William Baillie

between 1750 and 1810

Print made by Matthew Darly, active 1754–1778

Matthew Darly

1775

unknown artist

Henry Fuseli, Esq

1808

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1793

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c

1781

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Print made by Richard Dagley, ca. 1765–1841

Richard Morton Paye

1832

Print made by A. Birrell, ca.1770–ca. 1820

Sir Peter Lely

undated

Print made by Robert Cooper, ca. 1800–1836

Julius Caesar Ibbetson

undated

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by George Cooke, 1781–1834

Humphry Repton, Esq

1820

Print made by John Condé, 1765–1794

Sir Joshua Reynolds, Knt. L. L. D., President of the Royal Academy

1793

Print made by John Kirby Baldrey, active 1750–1821

Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

1798

Print made by R. Clamp, fl.1789–1798

John Taylor

1796

Print made by George Chinnery, 1774–1852

Henry Tresham, Esq, R.A

1802

Edward Harding, 1755–1840

Sir John Medina

1797

Print made by unknown artist

Sir Godfrey Kneller

undated

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Print made by Thomas Cook, 1744–1818

William Hogarth

1809

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Francesco Bartolozzi, 1728–1815

William Cobbett

1801

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis

1781

Print made by Francesco Bartolozzi, 1728–1815

Edward Hawke, 1st Baron Hawke

1796

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by David Allan, 1744–1796

Alan Ramsay Scotus

1808

Print made by Robert Cooper, ca. 1800–1836

A. More

1826

Print made by Anthony Cardon, 1772–1813

Henry Tresham, Esq. R. A

1814

Print made by Francis Croll, baptized 1826–1854

Rev.d John Thomson

undated

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Isaac Jehner, 1750–c.1806

William Canynges

undated

Print made by Robert Cooper, ca. 1800–1836

Mr. Wilkinson as Michael in Free & Easy

1822

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

William Dickinson, 1746–1823

Rosamund and the Fair Annett

1784

Print made by Francesco Bartolozzi, 1728–1815

August

1793

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

Print made by Francesco Bartolozzi, 1728–1815

July

1789

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Materials & Techniques etching (printing process)

Materials & Techniques stipple engraving

On-site Access Accessible by appointment in the Study Room

Subject Terms man

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Materials & Techniques etching (printing process)

Materials & Techniques stipple engraving

On-site Access Accessible by appointment in the Study Room

Subject Terms man

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