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Materials & Techniques wove paper

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Collection Prints and Drawings

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Genre cityscape

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Work Type intaglio print

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Subject Terms architectural subject

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1. View of the Pantheon from the Arsenal

View of the Pantheon from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. View of the Pantheon, Paris

View of the Pantheon, Paris
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Florence, from the Ponte alla Carria

Florence, from the Ponte alla Carria
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Open etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Rome; Bridge and Castle of St. Angelo on the Tyber

Rome; Bridge and Castle of St. Angelo on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Rome, Bridge and Castle of St. Angelo, on the Tyber

Rome, Bridge and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Malta

Malta
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 16 7/8 inches (29.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Rhodes

Rhodes
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Line engraving, engraver's finished proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Saumur

Saumur
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

28. The Grand Canal, Venice

The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

30. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

31. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1933
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

32. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. View of Pont Neuf, The Mint etc.

View of Pont Neuf, The Mint etc.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. View of Pont St. Michel, Taken from Pont Neuf

View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. San Domenico, Perugia

San Domenico, Perugia
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1925
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 10 1/4 inches (24.5 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

37. Dido Building Carthage

Dido Building Carthage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Rhodes

Rhodes
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

40. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. An Old Hanse Town

An Old Hanse Town
Creator:
Print made by Axel Herman Haig, 1835–1921
Date:
undated
Materials & Techniques:
Drypoint and etching on thick, smooth, beige wove paper
Dimensions:
Sheet: 12 7/16 × 9 1/16 inches (31.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Library of San Marco, Venice

The Library of San Marco, Venice
Creator:
Print made by William Walcot, 1874–1943
Date:
1920
Materials & Techniques:
Etching, aquatint, and drypoint on medium, slighly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

43. The Penitentiary and Distant View of Westminster Bridge

The Penitentiary and Distant View of Westminster Bridge
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Worcester

Worcester
Creator:
Print made by William John Cooke, 1797–1865
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

46. View of Thuilleries and Bridge taken from the Quay d'Orsai

View of Thuilleries and Bridge taken from the Quay d'Orsai
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. View of the City with the Louvre &c. taken from Pont Marie

View of the City with the Louvre &c. taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. View of the City with the Louvre &c., taken from Pont Marie

View of the City with the Louvre &c., taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. View of Pont St. Michel, taken from Pont Neuf

View of Pont St. Michel, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A General View of Paris taken from Chaillot

A General View of Paris taken from Chaillot
Creator:
etching by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A View of Pont Neuf, the Mint, &c.

A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. View of the Gate of St. Denis taken from the Suburbs

View of the Gate of St. Denis taken from the Suburbs
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. A View of Pont Neuf, the Mint, &c.

A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. A General View of Paris taken from Chaillot

A General View of Paris taken from Chaillot
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. View of Pont St. Michel, taken from Pont Neuf

View of Pont St. Michel, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. View of the Gate of St. Denis taken from the Suburbs

View of the Gate of St. Denis taken from the Suburbs
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. View of the Village of Chaillot and &c., taken from Pont de la Concorde

View of the Village of Chaillot and &c., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. View of the Village of Chaillot &c., taken from Pont de la Concorde

View of the Village of Chaillot &c., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Totterne Inn

Totterne Inn
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1919
Materials & Techniques:
Etching; 3rd state, touched on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 inches (20.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

82. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engrving, Engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, green, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 17 5/16 inches (14.9 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Siena

Siena
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 7 5/8 inches (34 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

86. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 5 1/8 inches (21.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Ponte Vecchio [North Italian Set: No. 21]

Ponte Vecchio [North Italian Set: No. 21]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1895
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 8 1/4 inches (24.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

90. Dinant [Belgian Set: No. 9]

Dinant [Belgian Set: No. 9]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

91. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, 2nd state on moderatle thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Florence, from the Ponte Alla Carraia

Florence, from the Ponte Alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Ratisbonne

Ratisbonne
Creator:
Print made by François-Séraphin Delpech, 1778–1825
Date:
between 1818 and 1825
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

99. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection