Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: landscape / Subject Terms: man / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

James Duffield Harding, 1798–1863

Gorge du Mont Terrible

undated

Print made by Edward Calvert, 1799–1883

The Bride

1828

Print made by Edward Calvert, 1799–1883

The Cyder Feast

1828

Print made by Edward Calvert, 1799–1883

The Flood

1829

Print made by Edward Calvert, 1799–1883

The Chamber Idyll

1831

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

Print made by Edward Calvert, 1799–1883

The Return Home

1830

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by John Crome, 1768–1821

Landscape with Oak Trees

ca. 1812

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by Henry Cousins, died 1864

Henry Liverseege

1835

Print formerly attributed to Thomas Girtin, 1775–1802

Cottage and Two Cows Being Milked

1805

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

between 1779 and 1780

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by James Walker, 1748–1808

Sheffield

1798

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc., From the Meadows..

1799

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by George Richmond, 1809–1896

The Shepherd

1827

Print made by George Cooke, 1781–1834

Tooting Church

1827

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by Richard Ansdell, 1815–1885

Sleepest or Wakest Thou?

ca. 1853

Print made by Edward Calvert, 1799–1883

The Flood

1829

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Alfred W. Cooper, active 1850–1901

A River (tail piece)

undated

Print made by Alfred W. Cooper, active 1850–1901

The Nightingale

undated

Print made by Alfred W. Cooper, active 1850–1901

The Deserted Nest

undated

Print made by Alfred W. Cooper, active 1850–1901

By the Sea (tail piece)

undated

Print made by Jean B. C. Chatelain, 1710–1771

Man and Woman Digging

1737

Print made by Jean B. C. Chatelain, 1710–1771

Man Chopping Wood

1737

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

Print made by George Murray, died 1822

Neath

1795

Print made by Thomas Tagg, died 1809

Bristol

1796

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by Samuel Rawle, 1771–1860

South West View of Dunster Castle, Somersetshire

1800

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James S. Storer, 1771–1853

Chepstow

1794

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by Thomas Tagg, died 1809

Oxford

1795

Print made by Thomas Tagg, died 1809

Cambridge

1795

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Shanklin Castle

1799

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc. from the Meadows

1799

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc., From the Meadows..

1799

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by James Walker, 1748–1808

Bridgenorth

1795

Print made by James Walker, 1748–1808

Ely

1797

Print made by James Walker, 1748–1808

Sheffield

1798

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Louisa Augusta Greville, 1743–active 1762

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey

1828

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by James T. Willmore, 1800–1863

The Golden Bough

1856

Print made by John Crome, 1768–1821

The Back of the Mills

ca. 1812

Print made by Francesco Bartolozzi, 1728–1815

July

1789

Print made by Francesco Bartolozzi, 1728–1815

August

1793

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre landscape

Subject Terms man

Classification Prints

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre landscape

Subject Terms man

Classification Prints

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